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A study of smalt and red lead discolouration in Antiphonitis wall paintings in Cyprus

机译:对塞浦路斯Antiphonitis壁画中的铅和红铅变色的研究

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The present analytical study focuses on the degradation phenomena observed in fifteenth century wall paintings of the Christ Antiphonitis monastery in Cyprus. Examination of ten fragments by means of optical microscopy (OM), scanning electron microscopy (SEM/EDS), uRaman and FTIR spectroscopy revealed smalt discolouration and loss, and transformation of red lead from orange Pb_3O_4 to black PbO_2. The chromatic changes have affected the aesthetic effect of the paintings insofar as these pigments were extensively used. The mechanisms of smalt weathering, i.e. leaching of alkali and formation of micro-cracks, are interpreted in relation to its chemical composition and to the aggressive environmental conditions. In addition, it is assumed that red lead degradation may have been induced not only by the effect of temperature, light and humidity but also by the presence of chlorine salts. These phenomena of pigment alteration and loss underline the unsuitability of smalt and minium on wall paintings, regardless of the painting technique (fresco, fresco-secco, secco)
机译:目前的分析研究集中在塞浦路斯基督安蒂弗蒂尼斯修道院的十五世纪壁画中观察到的退化现象。通过光学显微镜(OM),扫描电子显微镜(SEM / EDS),uRaman和FTIR光谱对十个碎片进行了检查,结果发现它们出现了污点变色和损失,红色铅从橙色Pb_3O_4转变为黑色PbO_2。在这些颜料被广泛使用的范围内,颜色变化影响了绘画的美学效果。盐雾风化的机理,即碱的浸出和微裂纹的形成,是根据其化学成分和侵蚀性环境条件来解释的。另外,据推测,不仅由于温度,光和湿度的影响,而且由于存在氯盐,都可能导致红铅降解。这些颜料变化和损失的现象突出表明,无论采用哪种壁画技术(壁画,壁画-secco,secco),壁画中的最小和最小的不适合性。

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