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Brutalism Redux: Relational Monumentality and the Urban Politics of Brutalist Architecture

机译:野蛮主义的终极版:关系纪念碑和野蛮主义建筑的城市政治

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Brutalism is an architectural form that is experiencing somewhat of a revival of late. This revival focuses almost purely on its aesthetics, but there is an ethical dimension to Brutalism that often gets overlooked in these narratives. This paper therefore reanalyses the original concepts and ethics of brutalist architecture with a reaffirmation of the original triumvirate of brutalist ethics as articulated by Raynar Banham as monumentality, structural honesty and materials as found. The paper then articulates these through the literature on architectural affect to argue that brutalist ethics are continually enacted via a relational monumentality that brings the building and its inhabitants together in the practice of inhabitation. Using the case study of Robin Hood Gardens in London, the paper posits that a brutalist politics comes into light that can help catalyse a broader critique of contemporary neoliberalism.
机译:野兽派是一种建筑形式,最近正在复兴。复兴几乎完全集中在美学上,但是野兽派有一个道德层面,在这些叙述中常常被忽视。因此,本文重新分析了野兽派建筑的原始概念和伦理学,并重申了雷纳尔·班纳姆(Raynar Banham)所表达的野蛮主义伦理学的原始胜利,如发现的纪念碑性,结构诚实和材料。然后,论文通过有关建筑影响的文献对此进行了阐述,认为野蛮主义伦理是通过关系的纪念性而不断制定的,这种关系使建筑及其居民在居住实践中聚集在一起。本文以伦敦罗宾汉花园的案例研究为基础,提出了野蛮主义政治的兴起,可以促进对当代新自由主义的广泛批评。

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