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Silences from the deep: mapping being And nonbeing in the piano an in a Schizoid young woman

机译:来自深处的沉默:映射存在与否在钢琴中和一个精神分裂的年轻女子

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摘要

I was truck while viewing the film The Piano at the similarity between the heroine of the film and a current patient in analysis with me. Both women had profound disturbances in their ability to speak. The woman in the film, Ada, does not speak at all when we meet her and we learn that she stopped speaking at six years of age. While the precipitating event was her father's sharp rebuke at the dinner table, we learn that hr mother had died when she as born and we know that the morals and manners of England in the nineteenth century defined women in very restrictive ways.
机译:当我观看电影《钢琴》时,我正坐着卡车,因为电影中的女主角与目前正在接受分析的患者之间存在相似之处。两名妇女的说话能力都受到极大的干扰。当我们遇到她时,电影中的那个女人Ada根本不说话,而我们得知她在六岁时就停止了说话。虽然这是她父亲在餐桌上的强烈谴责,但我们得知母亲在她出生时就去世了,我们知道十九世纪英格兰的道德和举止对妇女的限制非常严格。

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