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‘LADIES A YOUR TIME NOW!’ Erotic politics, lovers' rock and resistance in the UK

机译:“女士们,现在就来!”色情政治,恋人的摇滚和英国的抵抗

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‘Lovers’ rock' is a largely overlooked genre of ‘Black British’ reggae music that emerged in London during the 1970s through Caribbean nightclubs and ‘pirate radio’ stations. Lovers’ rock was an integral part of the reggae music scene of that period. However, lovers rock became gendered as genre that appealed particularly to the romantic aspirations of black teenaged girls growing up in ‘Thatcher's Britain’. Within the political context of the dancehall scene, both lovers rock and roots reggae are seen as binary opposites of each other - lovers being ‘soft’ feminised reggae concerned with romantic love, and roots as masculinised ‘serious’ reggae concerned with black oppositional politics. Using black feminist theories on love and the erotic, this paper challenges the gendering of lovers' rock by suggesting that the genre was part of a much broader and complex political expression of love and rebellion amongst Caribbean communities in Britain. Indeed, while the gendering process is highly problematic, this paper also argues that Caribbean communities had also used the erotic and political intersection of both genres to reconfigure racist and sexist representations of their identities. As such Caribbean males and females had created their own ethic of ‘loving blackness’ as a way of restoring and validating their experiences within Britain's often hostile urban centres.View full textDownload full textKeywordslovers' rock, reggae, erotic, love, blackness, black Britain, black feminismRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; Add to shortlist Link Permalink http://dx.doi.org/10.1080/17528631.2011.583454
机译:“恋人”摇滚是“黑人英国”雷鬼音乐的一种被忽视的类型,这种音乐在1970年代通过加勒比海夜总会和“海盗广播”电台在伦敦出现。情人摇滚是那个时期雷鬼音乐界不可或缺的一部分。然而,恋人摇滚成为一种性别类型,特别吸引了在“撒切尔英国”中长大的黑人少女的浪漫愿望。在舞厅场景的政治背景下,恋人摇滚和根雷鬼都被视为彼此的二元对立–恋人是与浪漫之爱有关的“软”女性化雷鬼,而根源则是男性化的“严肃”雷鬼。与黑人对立政治有关。本文使用关于爱情和色情的黑人女权主义理论,挑战了恋人摇滚的性别,提出这一流派是英国加勒比海地区广泛广泛而复杂的关于爱与叛乱的政治表达的一部分。确实,尽管性别歧视过程存在很大问题,但本文还指出,加勒比海地区的社区还利用两种类型的色情和政治交集来重新配置其身份的种族主义和性别歧视表示。这样,加勒比海的男性和女性就建立了自己的“热爱黑人”的道德观念,以此来恢复和验证他们在英国经常充满敌意的城市中心的经历。查看全文下载全文关键字爱好者的摇滚,雷鬼摇摆乐,色情,爱情,黑人,黑人英国,黑人女权主义相关变量var addthis_config = {ui_cobrand:“泰勒和弗朗西斯在线”,servicescompact:“ citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,更多”,pubid:“ ra- 4dff56cd6bb1830b“};添加到候选列表链接永久链接http://dx.doi.org/10.1080/17528631.2011.583454

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