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Kandinsky or Me? How Free Is the Eye of the Beholder inAbstract Art?

机译:康定斯基还是我?情人眼中有多自由抽象主义?

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摘要

We investigated in “art-naïve” German and Chinese participants the perception of color and spatial balance in abstract art. For color perception, we asked participants (a) to adjust the color of a single element in 24 paintings according to their liking and (b) to indicate whether they preferred their version of the painting or the original. For spatial perception, we asked participants (a) to determine the “balance point” of an artwork and (b) to indicate their preferences for the original or left-right reversed orientation of previously seen and unfamiliar paintings. Results of the color experiments suggest that, even though the interactive task was of a rather open-ended nature, observers’ color adjustments were not random but systematically influenced by each painting’s color palette. Overall, participants liked their own color choices about as much as the original composition. Results of the spatial experiments reveal a remarkable consistency between participants in their balance point settings. The perceived lateral position of the balance point systematically affected the left-right orientation preference for agiven painting. We conclude that “art-naïve” observers are sensitiveto the composition of colors and spatial structures in abstract artand are influenced by their cultural backgrounds when experiencingabstract paintings.
机译:我们对“天真的艺术”德国和中国参与者进行了调查,以了解抽象艺术中的色彩和空间平衡感。对于颜色感知,我们要求参与者(a)根据自己的喜好调整24幅画中单个元素的颜色,以及(b)表示他们是喜欢画的版本还是原始版本。对于空间感知,我们要求参与者(a)确定艺术品的“平衡点”,以及(b)表示他们对以前见过的和不熟悉的画作的原始或左右反转方向的偏好。色彩实验的结果表明,即使交互式任务具有开放性,观察者的色彩调整也不是随机的,而是受每幅画的调色板系统地影响。总体而言,与原始构图一样,参与者都喜欢自己的颜色选择。空间实验的结果表明参与者之间在平衡点设置方面具有显着的一致性。平衡点的感知横向位置系统地影响左右方向的偏爱给画。我们得出结论,“天真”观察者很敏感抽象艺术中色彩和空间结构的构成并在经历时受到其文化背景的影响抽象绘画。

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