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Aesthetic preference for spatial composition in multiobject pictures

机译:多对象图片中空间构图的审美偏好

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摘要

Five experiments examined preferences for horizontal positions in multiobject pictures. In Experiment 1, each picture contained a fixed object and an object whose position could be adjusted to create the most (or least) aesthetically pleasing image. Observers placed the movable object closer to the fixed object when the objects were related than when they were unrelated (a relatedness bias) but almost never overlapped them (a separation bias). Experiment 2 showed that these results were not due to demand characteristics by replicating them almost exactly in a between-participants design. In Experiment 3, preference rankings revealed a strong relatedness bias together with an inward bias toward the spatial envelope of objects to point into the frame. A weak balance effect was evident in a multiple regression analysis. Experiment 4 replicated the inward bias for the spatial envelope using multiobject groups. Experiment 5 generalized the above findings for different objects when observers had to choose between image pairs that differed only in interobject distance or degree of balance. Strong relatedness effects were again present, but there was no evidence of any preference for balance.
机译:五个实验检查了多对象图片中水平位置的偏好。在实验1中,每张图片都包含一个固定的对象和一个可以调整位置以创建最多(或最少)美观的图像的对象。与对象无关时,观察者将可移动对象放置在比固定对象更近的位置(相关性偏差),但几乎从未重叠(分离偏差)。实验2表明,通过在参与者之间的设计中几乎完全复制它们,这些结果不是由于需求特征引起的。在实验3中,偏好排名显示了强烈的相关性偏见以及指向对象空间包络以指向框架的向内偏见。在多元回归分析中,明显的弱平衡效应。实验4使用多对象组复制了空间包络的向内偏差。当观察者不得不在仅对象间距离或平衡度不同的图像对之间进行选择时,实验5将上述发现推广到了不同的对象。强烈的关联性效应再次出现,但没有证据表明对平衡的偏爱。

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