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Everybody Gotta Have a Dream: Rap-centered Aspirations among Young Black Males Involved in Rap Music Production – A Qualitative Study

机译:每个人都有一个梦想:参与说唱音乐制作的年轻黑人男性以说唱为中心的愿望–定性研究

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摘要

Youth express diverse desires for their educational and occupational futures. Sometimes these aspirations are directed towards somewhat unconventional careers such as rapping and other types of involvement in rap music production. Although many studies have examined traditional educational and occupational aspirations, less is known about the factors that give rise to rap-centered aspirations and how individuals pursue them, particularly as they transition to early adulthood. Drawing on 54 semi- and unstructured interviews with 29 black young men involved in rap music production, I find that rap-centered aspirations are shaped by a range of factors, most notably feedback regarding one’s rap skills, access to recording and production equipment, and the financial means to maintain involvement in rap music production while also ensuring personal and family economic stability. The young men in the study attached different meanings to their aspirations and sometimes recast their motivations for participating in rap music production in response to various social and economic factors.
机译:青年人表达了对其教育和职业前景的不同渴望。有时,这些愿望是针对一些非常规的职业,例如说唱和其他类型的说唱音乐制作。尽管许多研究都对传统的教育和职业抱负进行了研究,但对引起以说唱为中心的抱负的因素以及个人如何追求抱负的了解较少,特别是当他们过渡到成年初期时。通过对29位参与说唱音乐制作的黑人青年进行54次半不定期的采访,我发现说唱中心的志向受多种因素的影响,最主要的是关于一个人的说唱技巧,使用录音和制作设备的反馈以及保持参与说唱音乐制作的经济手段,同时也确保个人和家庭的经济稳定。研究中的年轻人对他们的志向有不同的含义,有时会因各种社会和经济因素而改变他们参与说唱音乐创作的动机。

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