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Eye of the Beholder: Stage Entrance Behavior and Facial Expression Affect Continuous Quality Ratings in Music Performance

机译:旁观者的眼睛:舞台进入行为和面部表情影响音乐表演中的连续质量等级

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摘要

Judgments of music performance quality are commonly employed in music practice, education, and research. However, previous studies have demonstrated the limited reliability of such judgments, and there is now evidence that extraneous visual, social, and other “non-musical” features can unduly influence them. The present study employed continuous measurement techniques to examine how the process of forming a music quality judgment is affected by the manipulation of temporally specific visual cues. Video footage comprising an appropriate stage entrance and error-free performance served as the standard condition (Video ). This footage was manipulated to provide four additional conditions, each identical save for a single variation: an inappropriate stage entrance (Video ); the presence of an aural performance error midway through the piece (Video ); the same error accompanied by a negative facial reaction by the performer (Video ); the facial reaction with no corresponding aural error (Video ). The participants were 53 musicians and 52 non-musicians (N = 105) who individually assessed the performance quality of one of the five randomly assigned videos via a digital continuous measurement interface and headphones. The results showed that participants viewing the “inappropriate” stage entrance made judgments significantly more quickly than those viewing the “appropriate” entrance, and while the poor entrance caused significantly lower initial scores among those with musical training, the effect did not persist long into the performance. The aural error caused an immediate drop in quality judgments that persisted to a lower final score only when accompanied by the frustrated facial expression from the pianist; the performance error alone caused a temporary drop only in the musicians' ratings, and the negative facial reaction alone caused no reaction regardless of participants' musical experience. These findings demonstrate the importance of visual information in forming evaluative and aesthetic judgments in musical contexts and highlight how visual cues dynamically influence those judgments over time.
机译:音乐演奏质量的判断通常用于音乐实践,教育和研究中。但是,以前的研究表明,这种判断的可靠性有限,现在有证据表明,无关的视觉,社交和其他“非音乐”特征会不适当地影响它们。本研究采用连续测量技术来检查形成音乐质量判断的过程如何受到时间特定视觉提示的操纵的影响。包括适当的舞台进入和无错误表演的视频片段被用作标准条件(视频)。操纵了这些镜头以提供四个附加条件,每个条件都相同,唯一变化除外:不适当的舞台入口(Video);在片段中途出现听觉性能错误(视频);相同的错误伴随着表演者的面部负面反应(视频);没有相应听觉错误的面部反应(视频)。参加者有53位音乐家和52位非音乐家(N = 105),他们分别通过数字连续测量界面和耳机评估了五个随机分配的视频之一的性能。结果表明,观看“不适当”舞台入口的参与者做出判断的速度比观看“不适当”入口的参与者做出判断的速度快得多,而不良的入口导致受过音乐训练的参与者的初始分数明显降低,但这种效果并没有持续很长时间。性能。听觉错误导致质量判断立即下降,仅在伴随着钢琴演奏者沮丧的面部表情的情况下,这种判断一直持续到较低的最终分数;仅演奏错误就导致音乐家的评分暂时下降,而负面的面部反应无论参与者的音乐经历如何都没有引起反应。这些发现证明了视觉信息在音乐情境中形成评估和审美判断的重要性,并强调了视觉提示如何随着时间动态地影响这些判断。

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