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Face Attractiveness versus Artistic Beauty in Art Portraits: A Behavioral Study

机译:艺术肖像中的面孔吸引力与艺术美:行为研究

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摘要

From art portraits, the observer may derive at least two different hedonic values: The attractiveness of the depicted person and the artistic beauty of the image that relates to the way of presentation. We argue that attractiveness is a property that is predominantly driven by perceptual processes, while the perception of artistic beauty is based predominantly on cognitive processing. To test this hypothesis, we conducted two behavioral experiments. In a gist study (Experiment 1), we showed that ratings on attractiveness were higher after short-term presentation (50 ms) than after long-term presentation (3000 ms), while the opposite pattern was found for artistic beauty. In an experiment on perceptual contrast (Experiment 2), we showed that the perceptual contrast effect was stronger for attractiveness than for artistic beauty. These results are compatible with our hypothesis that appreciation of artistic beauty is cognitively modulated at least in part, while processing of attractiveness is predominantly driven perceptually. This dichotomy between cognitive and perceptual processing of different kinds of beauty suggests the participation of different neuronal mechanisms.
机译:观察者可以从艺术肖像中获得至少两个不同的享乐价值:所描绘人物的吸引力和与呈现方式有关的图像的艺术美。我们认为吸引力是一种主要由感知过程驱动的属性,而对艺术美的感知则主要基于认知过程。为了验证这一假设,我们进行了两个行为实验。在一项主要研究(实验1)中,我们显示,短期展示(50毫秒)后的吸引力等级高于长期展示(3000毫秒)后的吸引力,而在艺术美方面则发现了相反的模式。在感知对比实验中(实验2),我们发现感知对比效果对吸引力的影响要强于对艺术美的影响。这些结果与我们的假设相符,即对艺术美的欣赏至少在认知上受到了调节,而吸引力的处理主要是在感知上进行的。不同类型美的认知和知觉加工之间的这种二分法表明了不同神经元机制的参与。

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