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Leonardo da Vinci’s Animal Anatomy: Bear and Horse Drawings Revisited

机译:达芬奇(Leonardo da Vinci)的动物解剖学:熊和马的绘画再探

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摘要

Simple SummaryLeonardo da Vinci was an outstanding artist of the Renaissance. He depicted numerous masterpieces and was also interested in human and animal anatomy. We focused on the anatomical drawings illustrating different parts of bear and horse bodies. Regarding Leonardo’s “bear foot” series, the drawings have previously been described as depicting a bear’s left pelvic limb; however, based on the anatomy of the tarsus and the digit (finger) arrangement, they show the right posterior limb. In addition, an unreported rough sketch of a dog/wolf antebrachium (forearm) has been identified and reported in detail in one of the drawings of the “bear’s foot” series. After a detailed anatomical analysis, the drawing “The viscera of a horse” has more similarities to a canine anatomy than to a horse anatomy, suggesting that it shows a dog’s trunk. Besides, the anatomies of the drawings depicting the horse pelvic limb and the human leg were analyzed from the unprecedented point of view of movement production.
机译:简单概述莱昂纳多·达·芬奇是文艺复兴时期的杰出艺术家。他描绘了无数杰作,并对人类和动物的解剖学也很感兴趣。我们专注于说明熊和马身体不同部分的解剖图。关于莱昂纳多的“熊脚”系列,以前的绘画被描述为描绘了熊的左骨盆肢体;但是,根据骨的解剖结构和手指(手指)的排列,它们显示出右后肢。此外,还发现了一份未报告的狗/狼前臂的粗略草图,并在“熊脚”系列的其中一张图纸中进行了详细报道。经过详细的解剖分析后,“马的内脏”图与犬的解剖图比与马的解剖图具有更多相似之处,这表明该图显示了狗的躯干。此外,还从前所未有的运动产生角度分析了描绘马骨盆四肢和人腿的图纸解剖结构。

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