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Perception of emotionally loaded vocal expressions and its connection to responses to music. A cross-cultural investigation: Estonia Finland Sweden Russia and the USA

机译:感受情感表达的声音及其与音乐反应的联系。跨文化调查:爱沙尼亚芬兰瑞典俄罗斯和美国

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摘要

The present study focused on voice quality and the perception of the basic emotions from speech samples in cross-cultural conditions. It was examined whether voice quality, cultural, or language background, age, or gender were related to the identification of the emotions. Professional actors (n2) and actresses (n2) produced non-sense sentences (n32) and protracted vowels (n8) expressing the six basic emotions, interest, and a neutral emotional state. The impact of musical interests on the ability to distinguish between emotions or valence (on an axis positivity – neutrality – negativity) from voice samples was studied. Listening tests were conducted on location in five countries: Estonia, Finland, Russia, Sweden, and the USA with 50 randomly chosen participants (25 males and 25 females) in each country. The participants (total N = 250) completed a questionnaire eliciting their background information and musical interests. The responses in the listening test and the questionnaires were statistically analyzed. Voice quality parameters and the share of the emotions and valence identified correlated significantly with each other for both genders. The percentage of emotions and valence identified was clearly above the chance level in each of the five countries studied, however, the countries differed significantly from each other for the identified emotions and the gender of the speaker. The samples produced by females were identified significantly better than those produced by males. Listener's age was a significant variable. Only minor gender differences were found for the identification. Perceptual confusion in the listening test between emotions seemed to be dependent on their similar voice production types. Musical interests tended to have a positive effect on the identification of the emotions. The results also suggest that identifying emotions from speech samples may be easier for those listeners who share a similar language or cultural background with the speaker.
机译:本研究的重点是跨文化条件下的语音质量和语音样本对基本情感的感知。检查语音质量,文化或语言背景,年龄或性别是否与情感识别有关。专业演员(n2)和女演员(n2)产生了无意义的句子(n32)和长元音(n8),它们表达了六个基本情感,兴趣和中立的情感状态。研究了音乐兴趣对区分语音样本中的情绪或化合价的能力的影响(在轴上为阳性–中性–阴性)。在五个国家(爱沙尼亚,芬兰,俄罗斯,瑞典和美国)的地点进行了听力测试,每个国家随机选择了50名参与者(男25名,女25名)。参与者(总数N = 250)完成了一份调查表,以获取他们的背景信息和音乐兴趣。对听力测试和问卷调查中的回答进行统计分析。语音质量参数以及所识别的情绪和化价的比例对于两个性别而言均显着相关。在所研究的五个国家中,每个国家所识别出的情绪和效价百分比均明显高于机会水平,但是,对于所识别出的情绪和说话者的性别,这两个国家彼此之间存在显着差异。鉴定出的女性样品明显好于男性。听众的年龄是一个重要的变量。仅发现较小的性别差异以进行识别。情感之间的听力测试中的感知混乱似乎取决于它们相似的声音产生类型。音乐兴趣倾向于对情绪的识别产生积极影响。结果还表明,对于那些与说话者具有相似语言或文化背景的听众,从语音样本中识别情绪可能更容易。

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