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Orchestrated Sex: The Representation of Male and Female Musicians in World-Class Symphony Orchestras

机译:精心策划的性爱:世界一流交响乐团中男性和女性音乐家的表现

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摘要

This study examines the representation of male and female musicians in world-class symphony orchestras. Personnel of 40 orchestras of three regions, the UK, Europe, and the USA, and distributions of men and women across the four orchestral departments, strings, woodwind, brass, and percussion, are compared. Significant differences in representation between orchestras of the three regions are reported. Practices adopted by orchestras when appointing musicians to vacant positions are reviewed and numbers of males and females appointed to rank-and-file and Section Principals are compared. Career patterns of male and female musicians are also compared. Increases in numbers of women appointed to orchestral posts in the last three decades are compared with increases in the proportion of women in the general workforce. The data of orchestral membership are then compared with the numbers of young people receiving tuition on orchestral instruments retrieved from a large national database (n = 391,000 students). Implications for the future of male and female representation in orchestral personnel are then considered.
机译:这项研究考察了世界级交响乐团中男性和女性音乐家的代表性。比较了英国,欧洲和美国三个地区的40个乐团的人员,以及弦乐,木管乐器,铜管乐器和打击乐器在四个乐团部门中的男女分布。据报道,这三个地区的乐团在代表性上存在显着差异。审查了乐团在任命音乐家担任空缺职位时所采用的做法,并比较了被任命为行长和部门负责人的男女人数。还比较了男性和女性音乐家的职业模式。在过去的三十年中,被任命为管弦乐队职位的女性人数有所增加,而女性在一般劳动力中的比例却有所增加。然后将管弦乐队成员资格的数据与从大型国家数据库(n = 391,000名学生)中检索到的管弦乐器学费的年轻人数量进行比较。然后考虑对管弦乐队中男性和女性代表的未来的影响。

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