新中国建筑运动与梁思成的思想改造：1952—1954阅读梁思成之四

摘要

This essay examines the years 1952- 1954, during which Liang Sicheng, under the national policy of 'One-sided Alliance with USSR', attempted to combine the Soviet Union's Socialist-Realist principle with his own ideal of China's 'National Form'. The essay argues that Liang's struggle to devise a style suitable for China's new socialist regime, was paradoxically a return to the Beaux-Arts eclecticism that he himself had abandoned during the 1930s--1940s.%文章探讨了在1952—1954年间，在“一边倒”国策的影响下，梁思成将苏联的“社会主义现实主义”原则与自己对中国“民族形式”的倡导相结合的尝试。文章试图论证：深具矛盾的是，梁为中国社会主义新政权寻找合适的建筑表达的努力，实际上也是在向他已经于20世纪三四十年代摒弃的布扎折衷主义的回归。