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From Text to Field:Study on the Intercultural Communication of Music in Collection of Chinese Works and Translations by Matteo Ricci from the Perspective of Maritime Silk Road

机译:从文本到领域:海上丝绸之路视角下利玛窦《中国作品和译本集》中的音乐跨文化交流研究

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摘要

In this paper,with Collection of Chinese Works by Matteo Ricci written by Zhu Weizheng and A summary Interpretation of Chinese literature of Matteo Ricci in Ming and Qing Dynasties written by Tang Kaijian as major research texts and historical basis,as well as intercultural communication as the major research method,the aesthetic adaptation of native music of traditional Chinese music,etiquette,sacrifice and religious customs under the description of Matteo Ricci is discussed and interpreted from the perspective of the spread of musical culture of the Maritime Silk Road,four stages of field investigation are planned,and related musical activities and local musical phenomena appearing in his literature have an on-site visit.In this way,the vital position and historical significance of Matteo Ricci’s cultural missionary activities in the music communication on the Maritime Silk Road are obtained.
机译:在本文中,通过朱伟宁撰写的Matteo Ricci的汇集,并摘要唐凯健撰写的Mateo Ricci中文文学的摘要解释,唐开师作为主要研究文本和历史基础,以及跨文化交流主要的研究方法,在Matteo Ricci的描述中讨论和解释了传统中国音乐,礼仪,牺牲和宗教海关的主要研究方法,并从海洋丝绸之路音乐文化传播的角度探讨并解释了田野的四个阶段计划调查,以及在他的文学中出现的相关音乐活动和当地音乐现象有一个现场访问。在这种方式,获得了Matteo Ricci文化传教活动的重要地位和历史意义,在海上丝绸之路上的音乐通信中获得了。

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