兴发着的审美过程及其内时间意识的构成--论康德《实用人类学》美学思想中的时间性问题

摘要

There is rich, deep and thought provoking temporal aesthetic thought in Practical Anthropolo-gy of Kant. He believes that literary works can inspire and keep perfectly human emerging experi-ence, and contrasts aesthetic activity and scientific cognitive activity from the perspective of the con-struction of a fluent inner temporal consciousness. Kant also puts aesthetic activity in“in-life”and finds solid place for aesthetics to reveal itself temporally. This revelation is realized in inner tempo-ral consciousness embodied in fluent aesthetic activity.%在康德《实用人类学》中存在着极为丰富、深刻、透辟的时间性美学思想，他不仅认为文学艺术作品能够开启并完善地持存着人类的兴发性经验，而且从内时间意识是否流畅的构成角度对比了审美活动与科学认知活动的区别。康德还把审美活动置于“生活-之中”，为审美价值在时间性的绽出上觅得坚实之所，并把这种时机化实现于流畅的审美活动所呈现的内时间意识之中。