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彼埃·蒙德里安的艺术影响探析

     

摘要

蒙德里安是几何抽象画派的先驱,与德士堡等组织“风格派”,提倡自己的艺术“新造型主义”。认为艺术应根本脱离自然的外在形式,以表现抽象精神为目的,追求人与神统一的绝对境界,亦即今日我们熟知的“纯粹抽象”。蒙德里安早年画过写实的人物和风景,后来逐渐把树木的形态简化成水平与垂直线的纯粹抽象构成,从内省的深刻观感与洞察里,创造普遍的现象秩序与均衡之美。他崇拜直线美,主张透过直角可以静观万物内部的安宁。%The Mondrian is the pioneer of geometric abstract art school, and Texaco Fort organizations such as the “de Stijl”, to promote the art of “new shape”. That art should be out of the external form of the natural fundamental to the performance of the abstract spirit, the pursuit of the absolute realm of man and God unified that is, today we know the “purely abstract”. Mondrian early years of painting realistic figures and landscapes, then gradually the shape of the trees to simplify the purely abstract composition of horizontal and vertical line, where the from introspective profound perception and insight, to create a common phenomenon in order and balanced. He worship a straight line, advocated through at right angles to the contemplation of all things internal tranquility.

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