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Re-examination of the Temporal and Innocent Character of Li Dongyang’s Gediao Theory

机译:重新审视李东阳格调理论的时空性

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摘要

Li Dongyang’s Gediao theory(格调说)advocates the style and tune of poetry,which has profound influences on later literati in the Middle and Later Ming Dynasty.This theory is the product of the time,put forward to complain about Taige style(台阁体)and to deal with the current problems under a subtle circumstance.It seems that Li Dongyang emphasized the metrics of poems,but in fact he aimed at putting renewed emphasis on the essence of Tao and the aesthetic pursuit of innocence and nature of poetry by Gediao theory.He ultimately proposed the functional activity of Qi as the method of expressing Tao and combined the tradition of poetry music to express human nature,which makes Gediao theory a temporal and innocent poetry theory.
机译:李东阳的格调说提倡格调说,对中后期的文人产生了深远的影响。该理论是当时的产物,提出了对台格风格的抱怨。李东阳似乎是在强调诗的尺度,但实际上他的目的是重新强调道家的本质,以及他对诗的天真与本质的审美追求。他最终提出了气的功能活动作为道学的表达方法,并结合了诗歌音乐的传统来表现人性,从而使格调理论成为了一种时间性的天真的诗歌理论。

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