首页> 中文期刊>宜春学院学报 >由沙冢遗址红陶鸟探淮河流域上古“鸟”图腾崇拜意象源起

由沙冢遗址红陶鸟探淮河流域上古“鸟”图腾崇拜意象源起

     

摘要

Shore "sand huai excavated site" pieces sand rooms modeling fullness fruity red ceramic birds,l-shaped's silhouette,A glyph unfolds like,tail positive shape,extremely maternity V characteristics and the reproduction worship of female Yin symbols,from real well proof put the bird as A totem worship of the huaihe river basin in ancient time is the unique phenomenon of the past site sand GuHuai yi region,reflects the "yi" family clan culture characteristics.Its form factor is the original religion and sun worship of a kind of expression of the huaihe river basin,is the material form of the original reproductive worship,is the geographical,natural environment causes natural taboo worship results.Many factors GuHuai yi region formed together with local characteristics of bird totem worship origin cultural imagery.%淮滨"沙冢遗址"出土的沙冢红陶鸟造型丰满圆润,L形的侧影、A字形的正面像、尾部展开的V形状,极具母性特征和生殖崇拜的女阴符号,从实物上充分证明把鸟作为图腾崇拜是上古时期淮河流域沙冢遗址的独特现象,反映了古淮夷地区"夷"族氏族文化特征。其形成因素是原始宗教及太阳崇拜的一种表现,是淮河流域原始生殖崇拜的物化表现,是地理、自然环境造成自然禁忌崇拜的结果。多种因素共同形成了古淮夷地区具有地域特色鸟图腾崇拜的文化意象源起。

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