随着幻想类小说创作手法的日臻成熟，以幻生奇成为明清小说批评话语系统中重要的审美观念。明清小说批评家指出，以幻生奇是幻想类小说的艺术特质，体现出创作者自觉的艺术追求。实现幻笔之奇的艺术手法集中体现于塑造奇异的人物形象、构织离奇的故事情节、营造奇谲的神幻场景三个重要层面。幻想类小说审美意蕴的实现体现在创作与欣赏的双向互动过程中。小说批评家对以幻生奇的审美意蕴的多维思考，增强了幻奇审美观念的理论深度，丰富了小说批评中的“幻”审美理论体系。%As the creation of the fantasy novels being matured, wonders from fantasy became important aes- thetic ideas in the Ming and Qing novels critical discourse. Ming and Qing fiction critics pointed out, wonders from fantasy were the artistic nature of fantasy novels, which reflected the creators' conscious artistic pursuit. Then the three aspects of realizing the shaping of singular characters, fabricating bizarre stories and creating the odd deceitful scene of tile wonders are explored, so as to construct a theory of the artistic creation of fantasy novels. And to fur- ther analyze the reader' s reading psychology, the realization of the fantasy novel aesthetic implication embodied in the creation and appreciation of the two-way interaction process are pointed out. The multidimensional thinking of the novel critics to the aesthetic implication of wonders from fantasy enhanced the aesthetic ideas of the fantastic theoretical depth; and enriched the fiction criticism "fantasy" aesthetic theory svstem.
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