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Study on the Art of Stone Piling in Jiangnan Gardens under the Influence of Taoist Aesthetic Thought in Ming and Qing Dynasties

机译:江南花园石桩艺术在明清审美思想的影响下

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摘要

This paper explored the signifi cant impact of Taoist views on stone-piled rockeries in Jiangnangardens (Jiangnan refers to southern region of the Yangtze River) in Ming and Qing dynasties from theperspectives of morphology (Xing ), meaning (Yi ), pneuma (Qi ), including the view for life “modeling afterthe nature and valuing authenticity” in Taoist aesthetics , view of space “only Tao gathering nothingness”,and ecological ethical view of “everything as the same”. Moreover, it disclosed the process of gardenrockery design’s simulation of nature and aesthetic renovation, reviewed aesthetic value of garden rockeries,and contributed to the further understanding of garden design.
机译:本文探讨了道教展望对江纳森斯(江南)的石材山脉观察的意见,从语素(xing),意思(yi),pneuma(qi)中的明清域名中的江南(江南) ,包括在道教美学的终身“建模之后建模的性质和估值真实性”的观点,“只有陶某收集虚无”的观点,以及“一切都一样”的生态道德观。此外,它透露了园艺设计的自然和美学改造模拟的过程,审查了花园摇杆的审美价值,并促进了对园林设计的进一步了解。

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