信息移位的时空穿梭——试探当代电影叙事中场景空间的三种趋变

摘要

20世纪70年代后期至今,电影叙事场景空间由现实主义物象复现空间向超现实主义虚幻构成空间转换的趋势明显增强,而直观感受变化的首要则是电影叙事场景的移位感、拍摄手法,以及内外割裂感,这是人类社会后现代主义语境下的文化延伸和必然结果,也是电影奇观属性构成的基本体现. 本文将会逐一从这三个趋变方面进行探索和论述.%Since the late 1970s,conversion of scene space of film narrative from the material space in realism to unreal space in surrealism is tending to be stronger. The intuitively-seen change is the displacement,shooting style and the fragmentation of the internal and external scenes. This is a cultural extension of post-modernism in the context of human society and the inevitable result,and it is the basic reflection of movie magic. This article will explore and discuss the changes in the three aspects.