论香港邵氏电影《貂蝉》对《三国演义》中貂蝉的形象重塑

摘要

由邵氏兄弟(香港)有限公司投资拍摄、集中展现《三国演义》中王允通过貂蝉巧施连环美人计诛除董卓这一情节的影片《貂蝉》,一方面着意彰显了貂蝉"公义为先"的独特形象、重绘了貂蝉命运轨迹,在主流意识形态及传统历史思维的影像书写中折射出李翰祥电影一以贯之的家国情怀;另一方面,影片又出色发挥了黄梅调戏曲唱段对于片中主人公貂蝉的影像重塑所具有的重要作用,从而既反映了20世纪50年代的香港电影对于《三国演义》人物精神内涵的特殊理解与诠释,亦体现出传统戏曲元素对于古典名著改编的重要意义.%The movie Diao Chan,produced by "Shaw Brothers (Hong Kong) Limited" focused on the plot that Wang Yun killed Dong Zhuo through honey trap appeared in the novel The Romance of the Three Kingdoms,on the one hand,manifests Diao Chan's first choice of righteousness;on the other hand,the movie specially give play to Yellow Plum Opera in remodeling the leading character,Diao Chan,which not only reflects the unique explanation on the novel The Romance of the Three Kingdoms from Hong Kong films in 1950s,but also discloses Chinese traditional opera singing's significance for adaption on classical literature.