首页> 中文期刊>贵州大学学报(社会科学版) >魏晋南北朝传统乐器赋研究——魏晋南北朝乐舞赋研究系列之二

魏晋南北朝传统乐器赋研究——魏晋南北朝乐舞赋研究系列之二

     

摘要

Compared with the fu verse for musical dance in the Han Dynasty,the quantity of the fu verse for the traditional musical instruments was great in number in the Wei-Jin and the Northern and Southern Dynasties.Connected with Qifa written by Mei Cheng and Dongxiaofu by Wang Bao,the fu verse for the traditional musical instruments formed its unique structure,which expressed not only the people's distinct thoughts and lyric tendency but also their desire for the ideal society and noble character in the period of the Wei-Jin and the Northern and Southern Dynasties.%魏晋南北朝的传统乐器赋相对汉代的乐舞赋来说数量相当可观,上承汉代枚乘《七发》和王褒《洞箫赋》,并形成了独特的结构程式,表达魏晋南北朝时人们鲜明的思想和抒情倾向,抒发出这个时代人们内心深处对理想社会和高尚品德的向往。

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