魏晋南北朝外来民族乐器赋研究——魏晋南北朝乐舞赋研究系列之三

摘要

魏晋南北朝时期西域乐舞的东传，使许多外来民族乐器进入中原并流行开来。这些乐器赋与中原传统乐器赋一样有相对固定的结构程式，并在审美上呈现了较为独特的倾向。%With the eastward spreading of Western music and dance, many foreign national musical instruments are spread and popularized in the Central Plains of China whose musical lyrics have relatively fixed structural format as that of the traditional musical instruments of Central Plains and yet present a singular aesthetic tendency.