艺术生理学还是艺术形上学？——论海德格尔对尼采美学的阐释

摘要

The illumination of Heidegger on the aesthetics of Nietzsche as well as on his philosophy was developed in the horizon of Existentialism. Through the interpretative skill of essential reduction of phenomenology, he built up the critical themes of Nietzsche into the western metaphysical tradition, so as to make the aesthetics of Nietzsche which embodied the features of modern aesthetics, just as Nietzsche called himself art physiology, to be art metaphysics which permeates the tinges of the philosophy of Existential- ism. This process shows both the merits and violence of illumination.%海德格尔对尼采美学的阐释，如同对他哲学的阐释一样，都是在他的存在主义哲学的视野之内，通过现象学本质还原的阐释技术，把尼采的关键主题纳入到整个欧洲形而上学的传统之中，从而使得尼采本来具有鲜明现代特色的美学，尼采自称的艺术生理学，成为渗透着存在主义气息的艺术形上学。这种做法既体现了阐释的魅力，也掩饰不了阐释的暴力。