中古赋论论题广泛、内涵博赡,以重“情”尚“丽”迥别于两汉赋论的依“经”立论。而且,中古赋论批评形态也非常丰富。在汉代批评形态甚为单调的情状下,中古出现了诸如赋序、史传、笔记、选本以及赋学专论等形貌各异的批评形态。它们呈显状貌繁富、表述随感漫议、行文外呈骈俪、内蕴情感,存在状态渐显独立品格的特征。尤其是赋序批评、笔记批评及选本批评的演进历程表明它们在古代赋论批评形态学史上具有示范作用与生发意义。%There are various subjects and rich content in Fu theory in the medieval times .Emotion and beauty are emphasized in the theory , greatly different from that of Fu theory in the Han dynasty which discusses Fu issues based on Confucian classics .Furthermore , the criticism forms of Fu at that time are colorful , including prelude , historical biography, notes and anthology, etc.With multiple appearance, emotional opinion, parallelism writing style and rich content , the Fu criticism tends to form an independent style .Furthermore, the development of the criticisms on preludes of Fu, notes and anthologies reflects their significance in the history of the criticism forma-tions in ancient times .
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