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Reconfiguring the Spanish identity: Historic memory, documentary films and documentary novels in Spain (2000-2002).

机译:重塑西班牙身份:西班牙的历史记忆,纪录片和纪录片小说(2000-2002年)。

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摘要

This dissertation examines a number of recent documentary films and documentary novels that deal with the memory of the Spanish Civil War and the Franco dictatorship: Soldados de Salamina (2001), La voz dormida (2002), Los ninos de Rusia (2001), La guerrilla de la memoria (2002), La guerra cotidiana (2002), and Exilio (2002). They came out in the middle of a wide socio-political and cultural movement that demanded the end of the political "pact of forgetting," and public recognition of those who defended the Republic during the Civil War.;Following the theories of Barbara Foley in literature, and Bill Nichols in film, this study shows how the authors of these films and novels use narrative strategies associated to non-fiction to deconstruct the Francoist representation of Republicans as the "anti-Spain." Moreover, these documentary films and novels offer readers and viewers new epic narratives in which Republicans are presented as mythical heroes: not only did they fight for Spain as much as those who won the Civil War, but they also played an important role in the fight for democracy and against the Nazis in World War II, as part of the allied forces.;This dissertation also takes a cultural studies approach to go a step further and examine these works of film and literature from a larger perspective, i.e., as tools for an ongoing redefinition of the Spanish identity. It is my contention that they provide the Left with the symbolic materials necessary to do what was left undone in the transicion; that is, to create a modern myth of the Spanish nation as anti-fascist. Furthermore, the Republican memories retrieved in these novels and films forge a new Spanish identity that reflects the principles of constitutional patriotism, i.e., the central government's nation-building discourse; hence, it is a modern and European Spanish identity, accepting of regional identities and committed to interregional solidarity.
机译:本论文研究了一些有关西班牙内战和佛朗哥独裁的最新纪录片和纪录片小说:Soldados de Salamina(2001),La voz dormida(2002),Los ninos de Rusia(2001),La游击队回忆录(2002),拉圭拉科迪蒂安娜(2002)和Exilio(2002)。他们出现在广泛的社会政治和文化运动中间,要求结束政治上的“遗忘条约”,并公开承认内战期间捍卫共和国的人。文献,以及电影中的比尔·尼科尔斯(Bill Nichols),这项研究表明这些电影和小说的作者如何利用与非小说相关的叙事策略来解构共和党人作为“反西班牙”的法兰克代表。此外,这些纪录片和小说为读者和观众提供了新的史诗叙事,其中共和党人被奉为神话英雄:他们为西班牙而战和赢得内战的人一样多,而且在这场斗争中也发挥了重要作用。为民主和反对第二次世界大战的纳粹分子,作为盟军的一部分。本论文还采取了一种文化研究的方法,以更进一步的方式从更大的角度考察这些电影和文学作品,即,作为电影创作的工具对西班牙身份的重新定义。我的主张是,他们为左派提供了必要的象征性材料,以做在超越中遗留下来的事情。也就是说,创造西班牙民族反法西斯主义的现代神话。此外,在这些小说和电影中获得的共和党记忆塑造了一种新的西班牙身份,反映了宪法上的爱国主义原则,即中央政府的建国话语;因此,它是一种现代的和欧洲的西班牙身份,接受区域身份并致力于区域间的团结。

著录项

  • 作者

    Guerrero, Maria.;

  • 作者单位

    University of Florida.;

  • 授予单位 University of Florida.;
  • 学科 Literature Romance.;Cinema.;Literature Modern.;History Modern.;History European.
  • 学位 Ph.D.
  • 年度 2010
  • 页码 175 p.
  • 总页数 175
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

  • 入库时间 2022-08-17 11:36:47

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