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Reel Latinas, Reel Food Unpacking Latinas' Food Narratives in Film

机译:卷轴拉丁人,卷轴食物解开了电影中拉丁人的食物叙事

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摘要

This thesis explores Latinas' relationship to food as depicted in four contemporary American films: Tortilla Soup (2001), Woman on Top (2000), What's Cooking? (2000), and East Side Sushi (2014). In these films, food shapes the depictions of Latinas and illustrates how filmmakers overly rely on common tropes, and how food provides another layer to these deeply rooted stereotypes of Latinas. Yet, food also intersects with the politics of gender and Latinidad to both reinforce and challenge Latina stereotypes. These filmic representations illustrate how difficult it is for some filmmakers to move away from stereotypical Latina tropes, and to develop more complex character depictions. From the spicy Latina to the feminist Latina heroine, filmmakers are creating some new and multi-dimensional Latinas, and food is a key element to such depictions. While we continue to see films that perpetuate stereotypical portrayals of Latinas today, there are Latina characters that defy those representations as well. At the same time, these films show how it may be difficult to create Latina characters without using some form or shape of gender or racial stereotypes, but it is possible to present diverse depictions as well. The dominant film industry continues to perpetuate stereotypical images of Latinas, but there are also filmmakers that are looking to change the dominant narrative. We have come a long way from food being used as a prop on Carmen Miranda's head to food helping to guide Latina heroines through their journeys of self-discovery.
机译:本文探讨了美国当代四部电影中描绘的拉丁裔与食物的关系:玉米粉圆饼汤(2001),女人在顶(2000),什么是烹饪? (2000)和东区寿司(2014)。在这些电影中,食物塑造了拉丁裔的形象,并说明了电影摄制者如何过分依赖常见的对白,以及食物如何为这些根深蒂固的拉丁裔定型观念提供了新的层面。然而,食物也与性别和拉丁裔政治相交,以加强和挑战拉丁裔定型观念。这些电影表现形式说明了某些电影制片人摆脱刻板的拉丁经文和发展更为复杂的人物描写是多么困难。从辛辣的拉丁裔到女权主义的拉丁裔女主角,电影制片人正在创造一些新颖的多维拉丁裔,而食物是这种描绘的关键要素。尽管我们今天继续看到电影保留了对拉丁裔的刻板印象,但也有拉丁裔角色也无视这些表现。同时,这些电影展示了在不使用某种形式或形状的性别或种族刻板印象的情况下,创建拉丁字符可能是困难的,但也可能呈现出多种多样的描写。占主导地位的电影业继续使拉丁裔的陈规定型形象永存,但也有电影制片人正在寻求改变占主导地位的叙事。从将食物用作卡门·米兰达(Carmen Miranda)头上的支柱到帮助引导拉丁裔女主人公进行自我发现的旅程,我们已经走了很长一段路。

著录项

  • 作者

    Gomez, Jasmin Audry.;

  • 作者单位

    California State University, Fullerton.;

  • 授予单位 California State University, Fullerton.;
  • 学科 Hispanic American studies.;Womens studies.
  • 学位 M.A.
  • 年度 2017
  • 页码 106 p.
  • 总页数 106
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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