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Fashioning an artful life: One woman's life history in clothes.

机译:时尚的生活:一个女人的生活史。

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摘要

This research documents the life events of Margot Siegel (b. 1923), founder of the Friends of the Goldstein Museum of Design at the University of Minnesota, using her clothing donations to the Goldstein from her personal wardrobe. Ms Siegel is a woman of many passions and talents. She is a journalist by education, an avid art aficionado and patron by avocation, a member of the Minneapolis/St. Paul chapter of Fashion Group International, and a major artifact donor and contributor to The Goldstein. This research examines her clothing donations to the Museum that occurred over time. Because she wore these garments during the course of several decades, they represent "moments in time" or benchmarks of her life and embody seven decades. She was often the first to donate clothes of many important designers---a significant distinction for a donor in an organization's history. Her donations serve as evidence of lived experience throughout a life course.; My qualitative research uses an interdisciplinary approach, grounded in anthropology, sociology, cultural studies, and history. I come from a feminist perspective since feminists have long extolled the value of oral history/personal narratives because feminist theory comes out of and responds to the lives of women.; The research relies on a threefold methodological approach beginning with recorded informal conversational interviews and the spontaneous exchange of information. Interviews are supported by contextual information from artifacts including Ms Siegel's newspaper and magazine articles, her personal and professional correspondence, photographs, and examining her many donated items of dress. These artifacts provide temporal qualities that represent specific eras and places and illustrate how dress has been at the intersection of all of them.
机译:这项研究记录了明尼苏达大学哥德斯坦设计博物馆之友的创始人玛格特·西格尔(Margot Siegel,生于1923年)的生活事件,她的衣服是通过个人衣橱捐赠给哥德斯坦的。西格尔女士是一位充满激情和才华的女性。她是一名教育记者,一名狂热的艺术爱好者,并且是一位业余爱好者,是明尼阿波利斯/圣保罗市的成员。国际时尚集团的保罗一章,也是《高德斯坦》的主要文物捐助者和贡献者。这项研究调查了她随时间推移向博物馆捐赠的衣物。因为她在几十年的时间里都穿着这些衣服,所以它们代表了“时间的瞬间”或她生活的基准,体现了七个世纪。她通常是第一个捐赠许多重要设计师的衣服的人,这对组织历史上的捐赠者来说是一个显着的区别。她的捐赠是整个人生历程中丰富经验的证明。我的定性研究使用跨学科方法,以人类学,社会学,文化研究和历史为基础。我是从女权主义者的角度出发的,因为女权主义者长期以来一直夸大口述历史/个人叙事的价值,因为女权主义理论源于妇女的生活并对妇女的生活作出反应。该研究依赖于一种三重方法论方法,从记录的非正式对话访谈和自发的信息交换开始。访谈的内容包括文物的背景信息,包括西格尔女士的报纸和杂志文章,她的个人和专业书信,照片以及检查她捐赠的许多衣服。这些人工制品提供了代表特定时代和地点的时态特质,并说明了穿着如何处在所有这些特质的交汇处。

著录项

  • 作者

    Heinemann, Barbara Perso.;

  • 作者单位

    University of Minnesota.;

  • 授予单位 University of Minnesota.;
  • 学科 Design and Decorative Arts.; Museology.
  • 学位 Ph.D.
  • 年度 2008
  • 页码 198 p.
  • 总页数 198
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 建筑科学;
  • 关键词

  • 入库时间 2022-08-17 11:38:48

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