首页> 外文学位 >Patrick Sueskinds 'Der Kontrabass'---Einsamkeit und Psychische Erkrankungen als Folge der Kommunikationslosigkeit in der modernen Gesellschaft.
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Patrick Sueskinds 'Der Kontrabass'---Einsamkeit und Psychische Erkrankungen als Folge der Kommunikationslosigkeit in der modernen Gesellschaft.

机译:帕特里克·苏斯金(Patrick Sueskind)的“低音提琴”(The Double Bass)---由于现代社会缺乏沟通而导致的孤独和精神疾病。

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摘要

This thesis provides a psychological insight of the protagonist in Patrick Suskind's monodrama Der Kontrabass in order to reveal his suffering from a contemporarily increasing psychical disease. This mental illness is called "borderline personality disorder" (BPD). One theory concerning the causes of this disease locates its roots in societal changes. Therefore, the contemporary society is even labelled as "borderline-era" in Kreisman's and Straus' book I Hate You---Don't Leave Me (1989). In terms of definition, I will explain the eight distinctive criteria, out of which five have to be applicable on the respective person. This psychological work makes up one part of the theoretical basis for my interpretation and shows the up-to-datedness of the protagonist's problems. Besides this approach, I will also refer to some of Sigmund Freud's psychoanalytical theories, because the protagonist himself utters allusions to the oedipal complex and the human drives. In this respect, I will give a short summary of Freud's descriptions of the relevant concepts. Here, the role of the instrument will be appreciated, as well, since the contrabass player refers to it as he would refer to an other human being. Thus, I will briefly point out the different ways, in which the contrabass is personificated by its owner.;However, not only these aspects are interesting in order to achieve a convincing interpretation of the protagonist's character. Therefore, the formal aspects of this play will be considered as well, since they contribute to the creation of its overall mood. This mood reflects the inner disruption of the tragicomic protagonist, since it is ambivalent as well. Concluding the interpretation, the different possibilities concerning the open ending will be discussed. Afterwards, I will give a short summary of my results and finish my thesis with suggestions for further research on Suskind's Der Kontrabass.
机译:这篇论文提供了帕特里克·苏斯金德(Patrick Suskind)的独角戏Der Kontrabass中主角的心理见解,以揭示他正遭受着日益严重的心理疾病之苦。这种精神疾病称为“边界人格障碍”(BPD)。关于这种疾病成因的一种理论是其根源在于社会变化。因此,在克雷斯曼和施特劳斯的著作《我恨你-不要离开我》(1989)中,当代社会甚至被标记为“边界时代”。在定义方面,我将解释八项独特的标准,其中五项必须适用于各自的人。这项心理工作构成了我的解释的理论基础的一部分,并且表明了主人公问题的最新性。除了这种方法外,我还将参考西格蒙德·弗洛伊德的一些心理分析理论,因为主角本人对恋母情结和人类驱动力提出了暗示。在这方面,我将简要总结弗洛伊德对相关概念的描述。在这里,乐器的作用也将得到赞赏,因为低音提琴演奏者是指它,就像他指的是另一个人一样。因此,我将简要指出将低音提琴由其所有者拟人化的不同方式。;然而,不仅这些方面都很有趣,以便对主角的性格做出令人信服的解释。因此,还将考虑该剧的形式方面,因为它们有助于整体气氛的创造。这种情绪反映了悲喜剧主角的内在破坏,因为这也是矛盾的。最后的解释将讨论有关开放式结尾的不同可能性。然后,我将对结果进行简短的总结,并为我的研究提供一些建议,以对Suskind的Der Kontrabass进行进一步的研究。

著录项

  • 作者

    Gaiser, Jessica Kristina.;

  • 作者单位

    University of Waterloo (Canada).;

  • 授予单位 University of Waterloo (Canada).;
  • 学科 Literature Germanic.;Theater.
  • 学位 M.A.
  • 年度 2008
  • 页码 101 p.
  • 总页数 101
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 公共建筑;
  • 关键词

  • 入库时间 2022-08-17 11:38:45

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