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From countrypolitan to neotraditional: Gender, race, class, and region in female country music, 1980--1989.

机译：从乡村政治到新传统：1980--1989年女性乡村音乐中的性别，种族，阶级和地区

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During the 1980s, women in country music enjoyed unprecedented success in record sales, television, film, and on pop and country charts. For female performers, many of their achievements were due to their abilities to mold their images to mirror American norms and values, namely increasing political conservatism, the backlashes against feminism and the civil rights movement, celebrations of working and middle class life, and the rise of the South. This dissertation divides the 1980s into three distinct periods and then discusses the changing uses of gender, race, class, and region in female country music and links each to larger historical themes. It concludes that political and social conservatism influenced women's country performances and personas. In this way, female country music is a social text that can be used to examine 1980s America.;INDEX WORDS: Country music, Women performers, Gender, Race, Class, Region, 1980s, Conservatism, Popular culture.

机译：在1980年代，乡村音乐界的女性在唱片销售，电视，电影以及流行和乡村排行榜上都取得了空前的成功。对于女性表演者来说，他们的许多成就归功于他们能够塑造自己的形象以反映美国的规范和价值观，即日益增加的政治保守主义，对女权主义和民权运动的强烈反对，庆祝劳动和中产阶级生活以及崛起南部。本文将1980年代分为三个不同的时期，然后讨论了女性乡村音乐中性别，种族，阶级和地区的不断变化的用法，并将它们与更大的历史主题联系起来。结论是，政治和社会保守主义影响了妇女的国家表现和角色。这样，女性乡村音乐是可以用来检查1980年代美国的社会文本。索引词：乡村音乐，女性表演者，性别，种族，阶级，地区，1980年代，保守主义，大众文化。

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作者
Wiggins, Dana C.;
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作者单位

Georgia State University.;

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授予单位 Georgia State University.;
学科 History United States.;Womens Studies.;Music.
学位 Ph.D.
年度 2009
页码 298 p.
总页数 298
原文格式 PDF
正文语种 eng
中图分类
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入库时间 2022-08-17 11:38:31

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From countrypolitan to neotraditional: Gender, race, class, and region in female country music, 1980--1989.

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