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>From intimist poetry to the vanguard: The lyrical subject and the city in Alfonsina Storni's “Languidez” (1920), “Mundo de Siete Pozos” (1934) and “Mascarilla y Trebol” (1938)
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From intimist poetry to the vanguard: The lyrical subject and the city in Alfonsina Storni's “Languidez” (1920), “Mundo de Siete Pozos” (1934) and “Mascarilla y Trebol” (1938)
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机译：从亲密诗到先锋：Alfonsina Storni的“ Languidez”（1920），“ Mundo de Siete Pozos”（1934）和“ Mascarilla y Trebol”（1938）的抒情主题和城市
