Philipp Heinrich Erlebach (1657--1714) was a court composer and music director in the central German town of Schwarzburg-Rudolstadt. During his day, Erlebach mastered nearly every genre of his era and turned the court of Rudolstadt into a sophisticated musical center. Unfortunately, a fire which consumed the Rudolstadt court in 1735 destroyed many of his sacred and secular manuscripts. Erlebach had a marked influence on the development of the sacred cantata. He was one of the first composers to write a cycle of texts by Erdmann Neumeister, the earliest cycle of Neumeister cantatas that survives. This study provides background and analysis of two cantatas, Ich will Wasser giessen and Christus ist mein Leben, and examines how this music can be performed today in a historically informed, logistically viable fashion.
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机译：菲利普·海因里希·埃勒巴赫（Philipp Heinrich Erlebach，1657--1714年）是德国中部小镇施瓦茨堡-鲁道尔施塔特（Schwarzburg-Rudolstadt）的宫廷作曲家兼音乐总监。在他的一天中，Erlebach几乎掌握了他那个时代的所有流派，并将Rudolstadt的宫廷变成了一个精致的音乐中心。不幸的是，一场大火烧毁了1735年鲁道尔施塔特（Rudolstadt）的宫廷，摧毁了他的许多神圣和世俗的手稿。 Erlebach对神圣颂赞曲的发展产生了显着影响。他是最早撰写厄德曼·纽迈斯特（Erdmann Neumeister）一系列文本的作曲家之一，这是幸存的最早出现的纽迈斯特颂赞曲。这项研究为Ich Will Wasser giessen和Christus ist mein Leben这两个颂赞曲提供了背景和分析，并研究了今天如何以具有历史渊源且在后勤上可行的方式演奏这种音乐。
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