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The Journey from Chinese Landscape Paintings to Architecture

机译:从中国山水画到建筑的旅程

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摘要

In this work, I begin by analyzing the Chinese landscape paintings in the Sung Dynasty. To most Chinese literati, landscape paintings have been a vehicle to express their political and philosophical ideas by depicting their reclusive life in deep mountains. The paintings are not a realistic presentation of what painters see every day, but more like a self-expression of the world that they have been feeling. People may have different paintings even they paint the same theme. The landscape paintings usually describe the journey that the painters have during their reclusion or depict different parts of their journey separately. The trip can be simplified as a linear route contains different types of scenes which make this journey interesting. We can also see some architectural and non-architectural models which have the same character, like High Line Park and Super Mario Brothers.;The second portion of this dissertation focuses on the narrative in paintings and architecture. Diego Velazquez's Las Meninas gives us a reference showing how to imply more meanings in a limited space. Soane's Museum and Barcelona Pavilion are showing an architectural way of narrative by setting up a series of scenes along a particular route in the building like Chinese landscape paintings. The diversity of Tiles Hill is presented by three different routes which stand for three themes. We can also find a similar approach in Carlo Scarpa's Querini Stampalia Foundation. Furthermore, all these buildings use visual effects to control the rhythm of narration.;Chinese landscape paintings usually contain four phases which can roughly correspond to four parts of the structure of narration. However, the narrative approach in architectures can be more flexible to meet various need of people. People's understanding of a same architecture should be translated distinctly based on their different backgrounds and experiences, like the same theme in Chinese landscape paintings can be presented differently.;The last part is about my design. First, I give a background of the site. The site has a beautiful landscape and used to be an inspiring place to literati in ancient times. Nowadays, the place has more historical meanings, but destroyed by modern industry. Many modern artists want to recall the old romantic memory of this place, and present the idea of being harmony with nature. So, it is a good chance to design a building for the artists and villagers by using the way that ancient literati paint landscape paintings. The building serves for the artists as a studio and for the villagers as a community center, so they can learn from each other and share their ideas. The whole building is also treated as a landscape where people can explore.
机译:在本文中,我首先分析了宋代的中国山水画。对于大多数中国文人而言,山水画一直是通过描绘他们在深山中的隐居生活来表达其政治和哲学思想的工具。这些画作并不是画家日常所见的真实写照,而是更像是对他们所感受到的世界的自我表达。人们可能会绘制不同的绘画,即使他们绘制相同的主题。山水画通常描述画家在隐居期间所经历的旅程,或分别描绘其旅程的不同部分。由于线性路线包含不同类型的场景,因此可以简化旅途,从而使旅途变得有趣。我们还可以看到一些具有相同特征的建筑模型和非建筑模型,例如High Line Park和Super Mario Brothers 。;本论文的第二部分着重于绘画和建筑的叙事。 Diego Velazquez的《 Las Meninas》为我们提供了参考,展示了如何在有限的空间中暗示更多的含义。索恩博物馆(Soane's Museum)和巴塞罗那馆(Barcelona Pavilion)通过在建筑物的特定路线上设置一系列场景(例如中国山水画)来展示一种建筑叙事方式。 Tiles Hill的多样性由代表三个主题的三种不同路线呈现。我们也可以在Carlo Scarpa的Querini Stampalia基金会中找到类似的方法。此外,所有这些建筑物都使用视觉效果来控制叙述的节奏。中国山水画通常包含四个阶段,可以大致对应于叙述结构的四个部分。但是,体系结构中的叙事方法可以更灵活地满足人们的各种需求。人们对同一个建筑的理解应该根据他们不同的背景和经验而被分别翻译,就像中国山水画中的同一个主题可以被不同地呈现。第四部分是我的设计。首先,我给出该网站的背景。该遗址风景优美,过去曾是古代文人的鼓舞人心的地方。如今,这个地方具有更多的历史意义,但被现代工业所破坏。许多现代艺术家都想回想起这个地方的浪漫时光,并提出与自然和谐相处的想法。因此,这是利用古代文人画山水画的方式为艺术家和村民设计建筑物的好机会。该建筑既是艺术家的工作室,又是村民的社区中心,所以他们可以互相学习,分享想法。整个建筑还被视为人们可以探索的景观。

著录项

  • 作者

    Zhao, Yanji.;

  • 作者单位

    University of Cincinnati.;

  • 授予单位 University of Cincinnati.;
  • 学科 Architecture.
  • 学位 M.Arch.
  • 年度 2017
  • 页码 37 p.
  • 总页数 37
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

  • 入库时间 2022-08-17 11:54:29

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