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The Usage of Vocal and Choral Pedagogies in the Choral Rehearsal: Perspectives of High School and Collegiate Choral Conductors

机译:声乐教学法在合唱排练中的运用:高中和大学合唱指挥的视角

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摘要

The purpose of this study was to describe choral conductors' perceptions regarding voice pedagogy and choral pedagogy. It also empirically investigated the degree to which those perceptions differed by educational preparation.;Descriptive data were collected from a sample of active high school and collegiate choral conductors. A questionnaire was designed by the researcher to collect data. Some questions collected demographic information from the participants. The remaining questions asked choral conductors to reveal their understanding of voice and choral pedagogies, their usage of voice and choral pedagogies in the choral rehearsal, and their assessment on how choral singing affects solo voice technique and health.;Four research questions were posed: What are choral directors' perceptions regarding aspects of voice and choral pedagogy that are supported by vocal and choral pedagogues? To what degree do most choral directors use solo vocal training techniques in choral rehearsals? To what degree do choral conductors perceive that choral singing alters the solo singer's vocal technique and/or affects the solo singer's vocal health? Do perceptions among choral conductors differ by educational preparation of the choral director (conducting degree, music educationvoice concentrate, music education-non voice concentrate, voice performance degree, voice pedagogy degree, other degree)?;Results indicated that a majority of choral conductors agreed with most consensus statements of vocal pedagogues regarding voice and choral pedagogies. The majority of choral directors used solo vocal training techniques most of the time in their rehearsals. The majority of choral conductors believed choral singing had no negative effect on solo singing technique or vocal health, and finally, no statistically significant differences were found among the four groups of educational preparation on any of the 11 techniques used in rehearsals. In conclusion, results from this study suggest that choral conductors and voice teachers, who share no statistical difference in training, essentially share the same perspectives on vocal and choral pedagogy and strive to maintain good vocal health and technique by teaching the same principles of proper vocal production in voice lessons and the choral rehearsal.
机译:这项研究的目的是描述合唱指挥对语音教学法和合唱教学法的看法。它还从经验上调查了这些观念在不同程度上因教育准备而异。;描述性数据是从活跃的高中和大学合唱指挥的样本中收集的。研究人员设计了一个调查表以收集数据。一些问题从参与者那里收集了人口统计信息。剩下的问题要求合唱指挥家揭示他们对声音和合唱教学法的理解,他们在合唱排练中对声音和合唱教学法的使用以及对合唱唱歌如何影响独奏声音技术和健康的评估。提出了四个研究问题:什么?合唱导演对声音和合唱教育家的声音和合唱教学法方面的看法得到支持吗?大多数合唱导演在合唱排练中使用单人声训练技巧的程度如何?合唱指挥家认为合唱会在多大程度上改变独奏歌手的声音技巧和/或影响独唱歌手的声音健康?合唱指挥家之间的感知是否因合唱指导者的教育准备而不同(举止程度,音乐教育语音专长,音乐教育-非语音专心,语音演奏程度,语音教学法学程度,其他学位)?;结果表明大多数合唱指挥家都同意大多数关于语音和合唱教学法的声乐教育家的共识性声明。大多数合唱导演在排练中大部分时间都使用声乐训练技巧。大多数合唱指挥家认为合唱对独唱技术或声音健康没有负面影响,最后,在彩排所用的11种技巧中,四组教育准备之间没有统计学上的显着差异。总之,这项研究的结果表明,在训练方面没有统计学差异的合唱指挥家和语音老师,本质上在声乐和合唱教学法上具有相同的观点,并通过讲授正确的声乐原理来努力保持良好的声乐健康和技术。语音课制作和合唱排练。

著录项

  • 作者

    Schade, Don B.;

  • 作者单位

    The Pennsylvania State University.;

  • 授予单位 The Pennsylvania State University.;
  • 学科 Music education.;Music.
  • 学位 Ph.D.
  • 年度 2017
  • 页码 143 p.
  • 总页数 143
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

  • 入库时间 2022-08-17 11:54:29

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