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The Home Network: Identity and Materiality in Early Modern and Modern Ulster

机译:家庭网络:早期近代和现代阿尔斯特的身份和重要性

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摘要

This dissertation looks at three categories of ceramics and the creation of a hybrid culture during the Early Modern and Modern period in Ireland. During these time periods Ireland was a part of the English global colonial enterprises, and was the site of many legal and cultural changes due to its subordinate position in the hierarchy of socio-political and economic phenomenon that characterize the pinnacle of British global power. This study looks to understand how these powers articulated with England's one European colony, Ireland, and if that articulation has similarities to other colonial cultures across time and space.;To study the possibility of hybridity between the Irish and English inhabitants of Ireland during the Post-Medieval Period, three categories of ceramics have been analyzed. Fine earthenwares in the form of tablewares and tea sets were macroscopically analyzed for patterns, age, and place of origin. Coarse earthenwares were subjected to X-ray florescence to look for patterns in the spectral data to see if a point of origin could be ascribed to them. And lastly, white ball clay pipe fragments were both macroscopically analyzed for makers' marks and subjected to X-ray florescence to verify their point of origin.;The relationship between where these artifacts come from- if they are local productions or imports- and where they were disposed of- either across the landscaper or only associated with households of particular ethnicities- says something about how people negotiate their ethnic identities in colonial settings. As people in Ireland adopt the English style of tea drinking and start to use English mass-produced fine earthenwares, it disrupts the local cottage industry of coarse earthenware manufacturing. What this study seeks to know is if there is a difference in the adoption of English tea drinking, and if the purchasing of certain types of ceramic vessels contributes to the performance of ethnic identity in a colonial setting.
机译:本文着眼于陶瓷的三个类别以及爱尔兰近代和近代时期的混合文化的创造。在这段时期内,爱尔兰是英国全球殖民企业的一部分,由于其在代表英国全球力量巅峰的社会政治和经济现象的等级制度中处于从属地位,因此爱尔兰是许多法律和文化变革的所在地。这项研究旨在了解这些权力如何与英格兰的一个欧洲殖民地爱尔兰进行衔接,以及这种衔接在时间和空间上是否与其他殖民地文化具有相似之处。;研究在后邮政时期爱尔兰人和英国居民之间发生杂交的可能性-中世纪,已经分析了三类陶瓷。宏观分析了餐具和茶具形式的精美陶器的图案,年龄和产地。对粗陶器进行X射线荧光检查,以查找光谱数据中的图案,以查看是否可以将其归因于原点。最后,对白球粘土管碎片进行了宏观分析,以查看制造商的商标,并对其进行X射线荧光检查,以验证其起源点。这些人工制品的来源-如果它们是本地生产或进口-与何处之间的关系他们被抛弃了-遍及整个景观园林或仅与特定种族的家庭相关联-说明了人们如何在殖民地环境中谈判其种族身份。随着爱尔兰人采用英语喝茶的方式,并开始使用英国大量生产的优质陶器,这扰乱了当地粗陶制造的家庭手工业。这项研究试图知道的是,英国人喝茶的方式是否有所不同,购买某些类型的陶瓷器皿是否有助于在殖民地环境中表现出民族特色。

著录项

  • 作者

    Whalen, Kathryn M.;

  • 作者单位

    State University of New York at Buffalo.;

  • 授予单位 State University of New York at Buffalo.;
  • 学科 Archaeology.;European history.;Materials science.
  • 学位 Ph.D.
  • 年度 2017
  • 页码 272 p.
  • 总页数 272
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

  • 入库时间 2022-08-17 11:54:23

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