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The Real Ambassadors: A Musical on Jazz Diplomacy and Race Relations during the Early Cold War Years

机译:真正的大使:冷战初期的爵士乐外交和种族关系音乐剧

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摘要

This Master's thesis examines jazz diplomacy and race relations in the United States during the early Cold War years, the U.S. State Department's cultural diplomacy propaganda initiatives, and narratives of musicians featured in State Department jazz tours as reflected in the musical The Real Ambassadors. The musical was written by Iola and Dave Brubeck following their State Department jazz tour of Europe, Asia and the Middle East in 1958. The debut performance took place at the 1962 Monterey Jazz Festival, featuring Louis Armstrong in the lead role. A textural analysis of songs from the musical will be considered for in-depth coverage of musicians' narrative and experience with locals during jazz diplomacy tours. A thorough understanding of American cultural and racial history during the early Cold War years is also crucial for contextualizing intersections between music and politics in the U.S. during the time period.
机译:本硕士论文研究了冷战初期美国在爵士乐的外交和种族关系,美国国务院的文化外交宣传计划以及音乐剧《真实的大使》中反映的美国爵士乐巡回演出中的音乐家叙事。这部音乐剧由艾奥拉(Iola)和戴夫·布鲁贝克(Dave Brubeck)于1958年在美国国务院爵士乐巡回欧洲,亚洲和中东之后创作。首演是在1962年蒙特利爵士音乐节上,路易斯·阿姆斯特朗(Louis Armstrong)担任主角。将考虑对音乐剧中歌曲的结构进行分析,以深入了解音乐家在爵士外交之旅中的叙事和与当地人的经验。对冷战初期美国文化和种族历史的透彻了解对于在这段时期内将美国音乐与政治之间的交汇情境化也至关重要。

著录项

  • 作者

    Perera, Treshani.;

  • 作者单位

    The University of Wisconsin - Milwaukee.;

  • 授予单位 The University of Wisconsin - Milwaukee.;
  • 学科 Music.;American history.;Music history.;Musical composition.
  • 学位 M.M.
  • 年度 2017
  • 页码 67 p.
  • 总页数 67
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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