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Ernest Bloch's 'Poems of the Sea,' 'Nirvana,' and 'Five Sketches in Sepia'---A Stylistic and Pedagogical Study.

机译:欧内斯特·布洛赫(Ernest Bloch)的《海洋诗》,《涅磐》和《乌贼墨中的五幅素描》-一种文体学和教学法研究。

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摘要

Ernest Bloch (1880-1959) was an important Jewish composer. He developed his individual style by employing several diverse musical styles. His music shows characteristics of his Jewish heritage, Western musical tradition, and French impressionism. Bloch is known for his chamber music, string works, and opera. In addition to these works, he composed several solo piano works which are seldom performed today. It is worthwhile to explore his piano music which contains various musical styles that were influenced by his different life experiences.;Bloch's piano works, Poems of the Sea, Nirvana, and Five Sketches in Sepia were all written in the 1920s when he lived in Cleveland. This paper contains a discussion of the stylistic features of these three works. They show the influences of his Jewish heritage and French impressionistic traits. Bloch did not quote Jewish melodies directly, but he was influenced by the modal characteristics of the music particularly the Phrygian mode. There is also much use of parallel chords, an impressionistic trait, and the use of quartal and quintal harmonies and the octatonic and whole-tone scale.;From the pedagogical point of view, these works are good teaching pieces for intermediate to advanced level students. I will discuss the pianistic problems and how to solve them based on the teachings of Tobias Matthay. I will also discuss musical interpretation based on Matthay's ideas, and musical progression based on Marcel Tabuteau's ideas as explained in David McGill's book, Sound in Motion..
机译:欧内斯特·布洛赫(Ernest Bloch,1880-1959年)是一位重要的犹太作曲家。他通过采用多种音乐风格来发展自己的个人风格。他的音乐表现出他的犹太传统,西方音乐传统和法国印象派的特征。布洛赫以室内音乐,弦乐作品和歌剧闻名。除了这些作品外,他还创作了几首如今很少演出的钢琴独奏作品。值得探索他的钢琴音乐,其中包含受他不同生活经历影响的各种音乐风格。;布洛赫的钢琴作品,《海洋诗》,《涅磐》和《乌贼墨中的五幅素描》都写于1920年代,当时他住在克利夫兰。 。本文包含对这三部作品的文体特征的讨论。它们显示了他的犹太遗产和法国印象派特征的影响。布洛赫没有直接引用犹太旋律,但他受到音乐的情态特征的影响,尤其是弗里吉安模式。平行和弦的使用,印象派特征的使用以及四音和五音的和声以及八音阶和全音阶的使用也很多。从教学论的角度来看,这些作品对于中高级学生来说是很好的教学作品。 。我将根据托比亚斯·马特海(Tobias Matthay)的教discuss讨论钢琴演奏的问题以及如何解决它们。我还将讨论基于Matthay的思想的音乐诠释,以及基于Marcel Tabuteau的思想的音乐进步,这在David McGill的著作《运动中的声音》中作了解释。

著录项

  • 作者

    Ho, Wan-Ju.;

  • 作者单位

    University of Kansas.;

  • 授予单位 University of Kansas.;
  • 学科 Music.;Judaic studies.
  • 学位 D.M.A.
  • 年度 2014
  • 页码 49 p.
  • 总页数 49
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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