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Dust and metal: Men of the American West in heavy metal music.

机译:灰尘和金属:重金属音乐中的美国西部男人。

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摘要

The way American popular culture, as well as worldwide popular culture, has interpreted the West has changed in the last 160 years. Many ideas about the region and the people who inhabit it have flipped over time, from Native Americans being seen as savages to helpless victims, to white settlers being heroic models of progress to foreign invaders that spread death and disease, to the land being one of vast opportunity to a land full of shady characters eager to take your money and your life. The West is a canvas for people of all cultures and nationalities to project their ideals and fears upon in a safe environment that seems distant to their own lives. It is a painting that is reinterpreted with each generation to fit that generation's needs. Popular culture seemingly uses the West as its default background to work out its own generational attitudes, with each generation disagreeing on what the West truly represented to American history as well as what it means in the modern world. The purpose of this study is to show that heavy metal is inundated with historical references, source material, and themes. This study will focus exclusively on how heavy metal portrays famous and infamous men of the American West, including the Earp brothers, the Dalton Gang, and Geronimo in its lyrics. It will serve to connect and contextualize the history referenced in the songs with the actual historical events, people, and places as well as analyze where the bands might have garnered their understanding of these historical figures. This study also serves the broader purpose of educating both the academic and public realms on history in heavy metal. Academics will learn ways in which non-academics use, portray, and understand history, whether good or bad, and how these bands make history relatable to their audience and their lives. The public will learn the academic side of the history they hear in the metal songs and how to analyze what makes a song historically accurate as well as challenge cultural historical stereotypes and misconceptions.
机译:在过去的160年中,美国流行文化以及全球流行文化对西方的解释方式发生了变化。随着时间的流逝,有关该地区及其居民的许多想法发生了变化,从美洲原住民被视为野蛮人到无助的受害者,到白人定居者成为进步的英雄典范,到传播死亡和疾病的外国入侵者,到土地成为其中之一。一个充满阴暗角色渴望获得金钱和生命的土地的巨大机会。西方是所有文化和民族的人们在一个似乎与自己的生活遥不可及的安全环境中投射理想和恐惧的画布。这是一幅绘画,每一代人都对其进行了重新诠释,以适应这一代人的需求。大众文化似乎以西方为默认背景来制定自己的世代态度,每一代人都对西方对美国历史的真实代表以及现代世界的意义存在分歧。这项研究的目的是表明重金属被历史文献,原始材料和主题所淹没。这项研究将专门研究重金属如何描绘美国西部著名和臭名昭著的人物,包括歌词中的Earp兄弟,Dalton Gang和Geronimo。它将有助于将歌曲中引用的历史与实际的历史事件,人物和地点联系起来并进行情境化分析,并分析乐队在哪些地方可能对这些历史人物有所了解。该研究还为教育学术界和公共领域的重金属历史提供了更广泛的目的。学术人员将学习非学术界人士如何使用,刻画和理解历史(无论好坏)的方式,以及这些乐队如何使历史与听众和他们的生活相关。公众将学习他们在金属歌曲中所听到的历史的学术面,以及如何分析使歌曲具有历史准确性的挑战,以及如何挑战文化历史定型观念和误解。

著录项

  • 作者

    Smith, Cody H.;

  • 作者单位

    Oklahoma State University.;

  • 授予单位 Oklahoma State University.;
  • 学科 History United States.;Music.;American Studies.;Native American Studies.
  • 学位 Ph.D.
  • 年度 2014
  • 页码 309 p.
  • 总页数 309
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

  • 入库时间 2022-08-17 11:53:48

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