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Curatorial Analysis: Spoken Word Performance through the lens of Narratology, Narrative-making and Auto-ethnography.

机译:策展分析:通过叙事学,叙事制作和自动人种志的视角研究口语表现。

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摘要

As a major project, this work studies the spoken word genre as a response to, and interpretation of, oppression and examine my own spoken word performance through the lens of narratology, narrative-making and auto-ethnography. This project is composed of two parts: a full-length spoken word performance and a curatorial analysis of this performance. While attempting to re-enact the trauma of oppression, this performance dually recognizes the impossibility within the task. Maurice Blanchot writes in The Writing of the Disaster, "The disaster, unexperienced. It is what escapes the very possibility of experience- it is the limit of writing. This must be repeated: the disaster de-scribes." This project aims to perform the places of de-scription. In poems detailing experiences of trauma, racism, misogyny, and relationships, this spoken word performance will offer an account of the subject for whom the act of narration is subversive. In this, the performance is self-aware and self-reflective; it communicates experiences for which the language to describe such experiences is either unavailable or nonexistent. The continuous theme of 'home' is maintained throughout the performance- how its absence marks the absence of the oppressed subject, how its absence implies the absence of language for the subject, and how spoken word can begin the outlining of a narrative, a foundation, for the subject.;My accompanying curatorial paper will examine similar themes. As spoken word is an art form deeply linked to activism, my paper will begin with an analysis of how this art has taken place, what its role has been in community development, and how it continues to function as a teaching tool. My paper argues that spoken word is instrumental in tying learning to voice; by offering young people a medium that both gives them a forum to voice the issues directly impacting their lives, while giving them a means of developing skills in language, presentation and communicating ideas effectively, spoken word acts as a unique and important teaching tool.
机译:作为一项重要的项目,这项工作研究了口头语的体裁,作为对压迫的回应和解释,并通过叙事学,叙事方式和自动人种志的角度考察了我自己的口头语表现。该项目由两部分组成:全长口语表演和对该表演的策展分析。在尝试重现压迫的创伤时,这种表现双重承认任务中的不可能。莫里斯·布兰科特(Maurice Blanchot)在《灾难的书写》中写道:“灾难,是没有经验的。这是摆脱经验的可能性的东西-这是写作的极限。必须重复:灾难描述了。”该项目旨在执行描述的地方。在详细描述创伤,种族主义,厌女症和人际关系经历的诗歌中,这种口语表达将说明叙述行为具有颠覆性。在这种情况下,表演是自我意识和自我反思的;它会传达无法描述这种体验的语言或不存在的体验。在整个演出过程中,“家”的主题始终保持不变-它的缺失如何标志着被压迫的主题的缺失,它的缺失如何暗示主题的语言缺失,以及口头表达如何开始叙述叙事,这是基础;针对我的主题。;我随附的策展论文将探讨相似的主题。由于口语是与行动主义紧密联系的一种艺术形式,因此我的论文将首先分析这种艺术的发生方式,其在社区发展中的作用以及如何继续充当教学工具。我的论文认为,口语有助于将学习与语音联系起来。通过为年轻人提供一种媒介,这两种媒介都为他们提供了一个论坛,让他们可以就直接影响他们生活的问题发表意见,同时还为他们提供了一种发展语言技能,表达方式和有效交流思想的手段,口语是一种独特而重要的教学工具。

著录项

  • 作者

    Killoran, Raissa Simone.;

  • 作者单位

    Queen's University (Canada).;

  • 授予单位 Queen's University (Canada).;
  • 学科 Rhetoric.
  • 学位 M.A.
  • 年度 2014
  • 页码 32 p.
  • 总页数 32
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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