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Littoral crossings: Imagery of women and water in nineteenth-century Britain.

机译：沿海口岸：19世纪英国的妇女和水的图像。

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This dissertation analyzes the representation of women and water in Victorian visual culture during the second half of the nineteenth century. Many notions of the feminine ideal aimed to situate women firmly within the domestic sphere. However, a body of visual work that includes Victorian painting associated with the Pre-Raphaelite Movement as well as female figureheads on the prows of ships, challenges these notions by repeatedly placing women outside the home and in connection with the sea, an external element. Through a re-evaluation of the accepted knowledge that connects Victorian women with domesticity, I argue that water is a site through which men and women question, negotiate, and contest the ideal Victorian woman as private and domestic. Furthermore, this dissertation posits that these paradigms are inadequate for understanding the complex personal and social relations that these images represent. Analysis of women and water images allows us to understand contradictions regarding women, as well as the anxieties and confusion of men in the face of watery women.

机译：本文分析了十九世纪下半叶维多利亚时代视觉文化中女性与水的代表。女性理想的许多概念旨在将妇女牢牢地置于家庭领域之内。然而，包括维多利亚时代与拉斐尔前运动相关的绘画以及船头上的女性头像在内的视觉作品，通过将女性反复放置在房屋外部并与海洋联系在一起，对外部观念提出了挑战。通过重新评估将维多利亚时代女性与家庭生活联系起来的公认知识，我认为水是男人和女人通过其质疑，谈判和竞争理想的维多利亚时代女性（无论是私人还是家庭）的场所。此外，本文认为这些范式不足以理解这些图像所代表的复杂的个人和社会关系。对妇女和水图像的分析使我们能够理解与妇女有关的矛盾，以及面对水汪汪的妇女时男人的焦虑和困惑。

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作者
Sanford, Lauren M.;
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作者单位

The University of North Carolina at Chapel Hill.;

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授予单位 The University of North Carolina at Chapel Hill.;
学科 Art History.
学位 Ph.D.
年度 2014
页码 285 p.
总页数 285
原文格式 PDF
正文语种 eng
中图分类
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入库时间 2022-08-17 11:53:36

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Littoral crossings: Imagery of women and water in nineteenth-century Britain.

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