This thesis is a comparison between the Western lute and Chinese pipa in terms of their history, construction, playing techniques, and examples of their solo repertory. This thesis has six chapters in total. The first chapter is an introduction to the Western lute, including the aspects of its history and playing techniques. The second chapter considers the same aspects of the Chinese pipa. The third, fourth and fifth chapters are descriptions of three solo pieces for these instruments: Luis de Milan's Fantasia XII del tercero quarto tono as a solo piece for lute, and then the contrasting Ambushed from Ten Sides and Moonlit River in Spring for pipa. The last chapter is a comparison between Milan's Fantasia XII and the two Chinese works, demonstrating how each is an example of its culture and that there are similarities and differences in the way that the composers of each approached various musical elements.
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机译:本文从西方琵琶与中国琵琶的历史,结构,演奏技巧以及独奏曲目实例方面进行了比较。本文共分六章。第一章是对西方琵琶的介绍,包括其历史和演奏技巧。第二章考虑了琵琶的相同方面。第三,第四和第五章介绍了这些乐器的三个独奏作品:路易斯·米兰的幻想曲XII del tercero quarto tono作为琵琶独奏作品,然后是十侧面和春天的月光照亮的反衬伏特加琵琶。上一章比较了米兰的幻想曲XII和两部中国作品,论证了每种作品都是其文化的典范,并且每种作曲家对待各种音乐元素的方式都存在异同。
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