The Franklin stereotype: The spiritual-secular gospels of four nineteenth-century American authors.

摘要

The purpose of this study is to examine the spiritual-secular influences of Benjamin Franklin and his Autobiography found in the selected novels of four nineteenth-century American authors: Fanny Fern's Ruth Hall, A Domestic Tale of the Present Time; Louisa May Alcott's Little Women and Work, A Story of Experience; Horatio Alger, Jr.'s Ragged Dick or, Street Life in New York with Boot Blacks; and Mark Twain's Adventures of Huckleberry Finn. Specifically, I look at three areas of influence: navigation of a print market demanding both secular and spiritual plotlines; creation of "secular saints" who borrow spiritual iconography for secular journeys and goals; and the dissemination of "secular gospels" or social change messages couched in religious language. These areas of influence form what I call the Franklin Stereotype. I argue that these nineteenth-century authors take up Franklin's stereotype in order to take advantage of a seemingly divided market. Like Franklin, these authors do not see a divide between the spiritual and the secular, they do not see a difference between the religious or the capitalist versions of the American Dream. They write to justify and reify this perspective.