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Bakhtinian aesthetics and authorship in the journalism of National Public Radio.

机译:国家公共广播电台新闻中的巴赫金主义美学与作者。

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摘要

This dissertation is an application of Mikhail Bakhtin's literary theory to the reporting of three correspondents for National Public Radio. Bakhtin's work is well suited for the analysis of journalism because his theories call attention to the vital role that authorship and aesthetics play in all communicative situations---including the news text---while encouraging a healthy respect for generic, technological, and other constraints---the context---within which all communicators labor. In turn, public news broadcasting is particularly fitting for a Bakhtinian analysis, in that Bakhtin's ideas about the power dynamics within language help us to better understand what role a public media institution can play in a landscape dominated by for-profit corporations.;An analysis of the 'heteroglossia' (similar to the 'dialects' of English) within the broadcasts of correspondents Nina Totenberg, Ari Shapiro, and David Greene reveals that Bakhtin's arguments about the appearance of everyday speech in literature are not unique to the genre of the novel: journalism is constructed from the same building blocks as modern prose literature and as such has the same approaches to representing language that some of the most revered modern authors of fiction have had. A Bakhtinian critique of the differences between the types of syntax correspondents choose to use when reporting the speech of sources reveals that there are ways in which some sources are granted the authority to present their perspectives as valid (i.e., as credible), while others are denied that authority and as a result do not have their perspectives represented in a way that would encourage audiences to take them seriously. Furthermore, a careful examination of the aural qualities of reporters' 'monophonic' intonations, which are not as homogenous as might be assumed, demonstrates that the diffusion of authority within a dialogic aesthetic can either be reinforced or undercut by a polished delivery style. Thus without a consideration of the aesthetics of reported speech, both syntactically and aurally, granting access to an individual or a group to voice their perspectives within a news report isn't by itself sufficient to grant those voices the authority necessary to make their inclusion meaningful.
机译:本文是米哈伊尔·巴赫金的文学理论在国家公共广播电台三名记者的报道中的应用。巴赫金的著作非常适合新闻学的分析,因为他的理论要求人们关注作者身份和美学在所有传播环境(包括新闻文本)中所起的至关重要的作用,同时鼓励人们对通用,技术和其他方面的健康尊重所有传播者都在其中的制约因素(即情境)。反过来,公共新闻广播特别适合巴赫金主义的分析,因为巴赫金关于语言内动力动态的观点有助于我们更好地理解公共媒体机构在营利性公司主导的格局中可以扮演什么角色。 Nina Totenberg,Ari Shapiro和David Greene的广播节目中的“异语症”(类似于英语的“方言”)揭示了巴赫金关于文学中日常言语出现的论点并非小说的独特类型:新闻学是与现代散文文学以相同的构件构建的,因此具有与某些最受尊敬的现代小说家相同的语言表达方法。巴赫金式的批评者在报道来源的言论时选择使用的语法类型之间的差异表明,在某些方面,某些来源被授权以其观点为有效(即可信)的观点,而另一些则是否认这种权威,因此没有以鼓励听众认真对待它们的方式来表达自己的观点。此外,仔细检查记者的“单调”语调的听觉质量(假设的同质性不高)表明,通过优美的交际风格可以加强或削弱对话美学中权威的传播。因此,在句法和听觉上都没有考虑报道的语音的美感,仅允许个人或团体在新闻报道中表达自己的观点,这本身不足以赋予那些声音以使其有意义的必要权限。

著录项

  • 作者

    Shroth, Kevin Whiteyes.;

  • 作者单位

    The University of Iowa.;

  • 授予单位 The University of Iowa.;
  • 学科 Journalism.;Mass Communications.
  • 学位 Ph.D.
  • 年度 2009
  • 页码 184 p.
  • 总页数 184
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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