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The Moscow interlude. Covering the Soviet Union for the American elite press: 1970-1980. A study in the sociology of newsmaking.

机译:莫斯科间奏曲。 1970-1980年为美国精锐媒体报道苏联。新闻社会学研究。

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摘要

The content of news stories filed by Moscow correspondents of American elite press (the Moscow "specials") can largely be explained by the interaction of three structural factors: the institutional norms of American journalism, the organizational imperatives of routine commercial news production, and the unusual production context of the Moscow beat.; This study elucidates several major features of the occupational culture of American journalism; examines the training and background of nine former Moscow "specials" interviewed; constructs, from published Soviet sources, official Soviet perceptions of the occupational tasks of resident American journalists; updates the information on the living and working conditions of the Moscow "specials", including the sources they use routinely and their complex relations with Soviet dissidents; shows how the unusual production context of the Moscow beat modifies the professional ideal of the resident American correspondents. An extensive content analysis was designed to uncover the criteria of newsworthiness used by American journalists in the Soviet Union and the resultant structure in their reportage.; Seen within the broader context of American journalistic norms and practices, the Soviet beat, while unique in certain respects, remains firmly rooted in the organizational and institutional traditions of elite newsmaking. For journalistic professionals, the Moscow assignment is an interlude rather than a radical departure from the conventions that have been learned on other beats.; This conclusion contrasts with previous attempts to explain coverage of the Soviet Union in the American press. Some students have viewed the Soviet reportage solely as a product of the ideology of Moscow correspondents, "cold war," "anti-Soviet" or "liberal". Others emphasized patriotism as a factor inducing the American journalists to follow the official "State Department line" in the coverage. Still others have put premium on the harsh working conditions of the Moscow beat.
机译:美国精英媒体的莫斯科通讯员(莫斯科“专家”)提交的新闻报道的内容,在很大程度上可以由三个结构性因素的相互作用来解释:美国新闻业的制度规范,例行商业新闻制作的组织要求以及莫斯科跳动的不寻常的生产环境。这项研究阐明了美国新闻职业文化的几个主要特征。检查接受采访的九位前莫斯科“专家”的培训和背景;从苏联出版的资料中,构造出苏联对美国常驻新闻工作者的职业任务的官方看法;更新有关莫斯科“专家”生活和工作条件的信息,包括他们日常使用的消息来源以及与苏联持不同政见者的复杂关系;展示了莫斯科节拍不同寻常的制作环境如何改变了驻地美国记者的职业理想。旨在进行广泛的内容分析,以揭示苏联的美国新闻工作者所使用的新闻价值标准以及其报道中的结果结构。从美国新闻准则和惯例的更广泛背景中可以看出,尽管在某些方面是独一无二的,但苏联的击败仍然牢牢扎根于精英新闻制作的组织和机构传统中。对于新闻从业人员而言,莫斯科的任务是一个插曲,而不是与其他节拍习得的惯例大相径庭。该结论与先前试图解释美国媒体对苏联的报道形成对比。一些学生只把苏联的报告文学视为莫斯科通讯员“冷战”,“反苏联”或“自由主义”意识形态的产物。其他人则强调爱国主义是促使美国新闻记者在报道中遵循官方的“国务院路线”的因素。还有一些人则对莫斯科战役的恶劣工作条件给予了高度重视。

著录项

  • 作者

    Aron, Leon Rabinovich.;

  • 作者单位

    Columbia University.;

  • 授予单位 Columbia University.;
  • 学科 Journalism.; Sociology General.
  • 学位 Ph.D.
  • 年度 1986
  • 页码 508 p.
  • 总页数 508
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 新闻学、新闻事业;社会学;
  • 关键词

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