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Life as art from Nietzsche to Foucault: Life, aesthetics, and the task of thinking.

机译:从尼采到福柯的艺术人生:生活,美学和思考任务。

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摘要

"Life as Art from Nietzsche to Foucault" presents a constructive argument for how one may construct one's life through aesthetics. The study begins with an examination of dandyism, which gives a negative point of reference for framing the artful life. From there, Friedrich Nietzsche's exploration of a series of ideal types is examined, revealing the ideal life to be one which playfully blends the critical spirit of science with the illusory spirit of art to create a self which is liberated and affirmative. These lines of argument are pursued in the three parts which follow, beginning with an examination of the "negative" dimension of the artful life in Theodor Adorno and Herbert Marcuse which reveals the necessity of resistance and the possibility for an artful society/individual. This is placed in tension with the "positive" dimension of the artful life, articulated by Martin Heidegger, Maurice Merleau-Ponty, and Jean-Luc Marion. Each contributes to the development of "embodied poetic thinking," a concept which signifies the potential for affirming immanence through the various bodily modalities and forms of thought. The work of Marion also shows the possibility for revelation in the artful life. These two moments are concretized by the ethics of Albert Camus and Michel Foucault, who collectively show the ways in which one can deploy the aesthetic in everyday practices directed towards the production of self. Seen through these three loci, life as art provides a means for creating a life which is resistant and affirmative, forging a liberated space into which one may continually deploy the aesthetic to create new selves which give meaning to the world.
机译:“从尼采到福柯的艺术人生”提出了一个建设性的观点,即人们如何通过美学来建构自己的生活。该研究始于对丹迪主义的考察,这为构筑狡猾的生活提供了负面参考。从那里开始,弗里德里希·尼采(Friedrich Nietzsche)对一系列理想类型的探索得到了检验,揭示了理想生活是一种将科学的批判精神与虚幻的艺术精神融为一体的理想生活,从而创造了一个被解放和肯定的自我。在接下来的三个部分中,将遵循这些论点,首先是对西奥多·阿多诺和赫伯特·马尔库塞的艺术生活的“消极”方面的考察,这揭示了抵抗的必要性以及艺术社会/个人的可能性。马丁·海德格尔(Martin Heidegger),莫里斯·梅洛·庞蒂(Maurice Merleau-Ponty)和让·吕克·马里昂(Jean-Luc Marion)曾指出,这与艺术生活的“积极”维度息息相关。每一个都为“体现的诗性思维”的发展做出了贡献,这个概念表示通过各种身体形态和思维形式来肯定内在性的潜力。马里昂(Marion)的作品也显示了在艺术生活中获得启示的可能性。阿尔伯特·卡缪斯(Albert Camus)和米歇尔·福柯(Michel Foucault)的伦理学将这两个时刻具体化了,他们共同展示了人们在日常实践中如何运用美学来实现自我生产。从这三个场所可以看出,作为艺术的生命提供了一种创造抗拒而平凡的生活的方式,在自由的空间中打造了一个可以不断地运用美学来创造赋予世界意义的新自我的空间。

著录项

  • 作者

    Simpson, Zachary.;

  • 作者单位

    The Claremont Graduate University.;

  • 授予单位 The Claremont Graduate University.;
  • 学科 Religion Philosophy of.;Philosophy.
  • 学位 Ph.D.
  • 年度 2009
  • 页码 544 p.
  • 总页数 544
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

  • 入库时间 2022-08-17 11:37:48

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