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Black male character types in four works by Alice Walker and Toni Morrison.

机译:爱丽丝·沃克和托妮·莫里森的四幅作品中的黑人男性角色类型。

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This study is an examination of the Black male characters in The Third Life of Grange Copeland, The Color Purple, Song of Solomon, and Beloved. Contemporary critics such as Darryl Pinckney, Marc Christophe, and Robert Towers hold a common assumption that Walker and Morrison tend to abuse and degrade the Black male character. Deborah McDowell, Barbara Christian, Paula Giddings and Lindsey Tucker illustrate how the Black male characters abuse and blame the female characters for the disasters that occur. It is true that Walker and Morrison explore the defects of the Black male character; however, they also explore the Black male image and present a more complete view than what the scholarship indicates. Criticism on Walker and Morrison examine one side of the gender issue only, which is an indication that the scholarship on the two authors' works is incorrect and incomplete. This study is an attempt to correct the false assumption held by the contemporary critics and prove that the works of Walker and Morrison show a balanced representation of Black male characters.; The critical approach is informed by Alice Walker's "womanist" concept, which is substained and clarified by social science scholarship indicating that there are various Black male character types in Walker's and Morrison's works. The analysis focuses on selected Black male characters who fall into the four categories: symbolic mythical, positive, dynamic, and negative. This study examines the Black male characters' relationship to women and children, the language they use, the way they refer to other characters, the language other characters use to refer to them, their behaviors, and their actions. The study shows that Walker and Morrison are searching for an understanding of the Black male characters.; The conclusion interprets the findings and presents a chart that illustrates the balance in the treatment of the characters. Since this study is limited to four works, the final section of the conclusion makes suggestions for study of other works by Walker and Morrison.
机译:这项研究是对《农庄第三谷》,《紫色​​》,《所罗门之歌》和《心爱的人》中黑人男性角色的考察。达里尔·平克尼(Darryl Pinckney),马克·克里斯托夫(Marc Christophe)和罗伯特·塔克斯(Robert Towers)等当代批评家普遍认为,沃克和莫里森倾向于虐待和贬低黑人男性角色。黛博拉·麦克道威尔(Deborah McDowell),芭芭拉·克里斯蒂安(Barbara Christian),宝拉·吉丁斯(Paula Giddings)和林赛·塔克(Lindsey Tucker)说明了黑人男性角色如何虐待并责怪女性角色造成的灾难。沃克和莫里森确实是在探索黑人男性角色的缺陷。但是,他们也探索了黑人男性形象,并提出了比奖学金所表明的更为完整的观点。对沃克和莫里森的批评只考察了性别问题的一个方面,这表明这两位作者的著作的奖学金是不正确和不完整的。这项研究试图纠正当代批评家的错误假设,并证明沃克和莫里森的作品表现出黑人男性人物的均衡表现。批评的方法是由爱丽丝·沃克(Alice Walker)的“女性主义者”概念提供的,该概念得到社会科学奖学金的支持和澄清,表明沃克和莫里森的作品中存在各种黑人男性角色类型。分析的重点是黑人男性角色,他们属于四个类别:象征性神话,积极,动态和消极。这项研究调查了黑人男性角色与妇女和儿童的关系,他们使用的语言,他们指称其他角色的方式,其他角色指称他们的语言,其行为和行为。研究表明,沃克和莫里森正在寻求对黑人男性角色的理解。结论对结果进行了解释,并提供了一个图表,说明了在字符处理中的平衡。由于这项研究仅限于四部作品,因此结论的最后部分为研究沃克和莫里森的其他作品提出了建议。

著录项

  • 作者

    Thomas, Jackie.;

  • 作者单位

    Indiana University of Pennsylvania.;

  • 授予单位 Indiana University of Pennsylvania.;
  • 学科 Literature American.; Womens Studies.
  • 学位 Ph.D.
  • 年度 1990
  • 页码 192 p.
  • 总页数 192
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 社会学;
  • 关键词

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