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Surrealism in the service of psychoanalysis: A reading of the surreal as the uncanny.

机译:为精神分析服务的超现实主义:对超现实主义的不可思议解读。

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摘要

I read Bretonian Surrealism in terms of its resistance to psychoanalysis as well as of its acceptance of it. I address its ambivalent relation to the notion of the uncanny, embraced by the Surrealists for its disruptive potential regarding identity and aesthetics but also resisted because of its connection to such psychic mechanisms as the compulsion to repeat and the death drive. In this ambivalence I locate the productive problem of Surrealism as a movement which comes to see in these same things the potential for regression, defusion and death.;This argument is sketched in Chapter One, as is the relationship between Surrealism and psychoanalysis. Chapter Two considers the Surrealist notions of the marvelous, convulsive beauty and objective chance as so many uncanny confusions between opposed states. The two primary forms of objective chance, the unique encounter and the found object, are precisely uncanny to the degree that they recall or repeat past traumas. Chapter Three suggests a reading of the Surrealist image as a juxtaposition of different psychic signifiers.;Chapter Four develops in a social register the uncanny confusion between animate and inanimate states discussed in a psychic register in Chapter Two. Chapter Five develops in collective terms the uncanny return of past states discussed in subjective terms in Chapter Three. Here I argue that Surrealism works through historical as well as psychic repression, and that it does so through a recovery of outmoded objects and images.;In Chapter Six I propose that Surrealism be understood in terms of an uncanny return of two psychic states above all: a fantasy of maternal plenitude, of an auratic, pre-Oedipal space-time before any loss or division; a fantasy of paternal punishment, of an anxious, Oedipal space-time where "man, ill-prepared, is taken by a sudden fear in the forest of symbols" not only are the Surrealists subject to the uncanny return of such repressed material, but they also seek to exploit it for transformative purposes and to recoup it for therapeutic ends--and in so doing that they develop innovative notions of aesthetic practice, cultural politics and critical history.
机译:我读过布列塔尼超现实主义是因为它对精神分析的抵抗力以及对它的接受。我要谈谈它与不可思议的概念之间的矛盾之处,超现实主义者因其在身份和美学方面的破坏性潜力而接受了它,但由于它与诸如强迫重演和死亡驱动之类的心理机制有关而受到抵制。在这种矛盾中,我将超现实主义的生产性问题定位为一种运动,该运动在这些事物中也看到了回归,消沉和死亡的可能性。这一论点在第一章中已概述,超现实主义与精神分析之间的关系也是如此。第二章将超现实主义的奇妙,令人惊叹的美感和客观机会的观念视为对立国家之间如此之多的不可思议的困惑。客观机会的两种主要形式,即独特的相遇和找到的对象,在它们回忆或重复过去的创伤的程度上,确实是不可思议的。第三章建议将超现实主义形象解读为不同的心理符号的并置。第四章在社会登记册中发展了第二章的心理登记册中讨论的有生命状态和无生命状态之间的不可思议的混淆。第五章以集体的方式发展了第三章中主观讨论过的过去状态的怪异回归。我在这里辩称,超现实主义通过历史和心理压抑起作用,并且通过过时的物体和图像的恢复而起作用。;在第六章中,我建议将超现实主义理解为首先两个心理状态的不可思议的回归。 :对母性饱足,幻想,恋物癖之前的时空的幻想;父爱幻想的幻想,焦虑的俄狄浦斯时空,其中“准备不足的人,被符号森林中的突然恐惧所吞噬”,超现实主义者不仅会遭受这种压抑材料的神秘归来,而且他们还寻求将其用于变革目的并为治疗目的进行补偿-这样做是为了发展出美学实践,文化政治和批判历史的创新观念。

著录项

  • 作者

    Foster, Harold Foss.;

  • 作者单位

    City University of New York.;

  • 授予单位 City University of New York.;
  • 学科 Fine arts.;Psychology.
  • 学位 Ph.D.
  • 年度 1990
  • 页码 320 p.
  • 总页数 320
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

  • 入库时间 2022-08-17 11:50:30

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