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'Phase Locked Loop and Modulo Games', 'The Dogma Loops'; and 'Finding Ibrida'.

机译:“锁相环和模游戏”,“教条循环”;和“寻找伊比里达”。

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摘要

This dissertation consists of two independent musical compositions and an article detailing the process of the design and assembly of an electric guitar with particular emphasis on the carefully curated suite of embedded effects.;The first piece, 'Phase Locked Loop and Modulo Games' is scored for electric guitar and a single echo of equal volume less than a beat away. One could think of the piece as a 15 minute canon at the unison at the dotted eighth note (or at times the quarter or triplet-quarter), however the compositional motivation is more about weaving a composite texture between the guitar and its echo that is, while in theory extremely contrapuntal, in actuality is simply a single [superhuman] melodic line.;The second piece, 'The Dogma Loops' picks up a few compositional threads left by 'Phase Locked Loop' and weaves them into an entirely new tapestry. 'Phase Locked Loop' is motivated by the creation of a complex musical composite that is for the most part electronically transparent. 'The Dogma Loops' questions that same notion of composite electronic complexity by essentially asking a question: "what are the inputs to an interactive electronic system that create the most complex outputs via the simplest musical means possible?".;'The Dogma Loops' is scored for Electric Guitar (doubling on Ukulele), Violin and Violoncello. All of the principal instruments require an electronic pickup (except the Uke). The work is in three sections played attacca; [Automation Games], [Point of Origin] and [Cloning Vectors].;The third and final component of the document is the article 'Finding Ibrida.' This article details the process of the design and assembly of an electric guitar with integrated effects, while also providing the deeper context (conceptual and technical) which motivated the efforts and informed the challenges to hybridize the various technologies (tubes, transistors, digital effects and a microcontroller subsystem). The project was motivated by a desire for rigorous technical and hands-on engagement with analog signal processing as applied to the electric guitar. 'Finding Ibrida' explores sound, some myths and lore of guitar tech and the history of electric guitar distortion and its culture of sonic exploration.
机译:这篇论文包括两个独立的音乐作品和一篇文章,详细介绍了电吉他的设计和组装过程,特别着重于精心策划的嵌入式效果套件。第一部分是“锁相环和Modulo游戏”适用于电吉他,且单次回声的音量小于节拍。人们可以将这首曲子视作点缀八分音符(或有时四分之一或三重音四分之一)的15分钟正典,但构图动机更多是在吉他与其回音之间编织复合纹理。 ,虽然理论上极度矛盾,但实际上仅仅是一条[超人]旋律线;第二部分,“ The Dogma Loops”拾取了“ Phase Locked Loop”留下的一些合成线,并将它们编织成全新的挂毯。 “锁相环”的动机是创建复杂的音乐作品,这种作品在大多数情况下都是电子透明的。 “ Dogma Loops”本质上是问一个问题:复合电子复杂性的概念是否相同:“交互式电子系统的输入是什么,它通过最简单的音乐手段创造出最复杂的输出?”。在电吉他(四弦琴),小提琴和大提琴乐曲上获得了得分。所有主要乐器都需要电子拾音器(Uke除外)。该作品分三部分在阿塔卡演奏。 [自动化游戏],[原点]和[克隆向量]。文档的第三个也是最后一个组成部分是文章“寻找伊比里达”。本文详细介绍了具有综合效果的电吉他的设计和组装过程,同时还提供了更深层次的背景(概念和技术),这些背景激励了人们的努力,并为混合各种技术(电子管,晶体管,数字效果器和微控制器子系统)。该项目的动机是希望对应用于电吉他的模拟信号处理进行严格的技术和实际操作。 “寻找易卜利达”探究吉他技术的声音,一些神话和传说,以及电吉他失真的历史及其声音探索文化。

著录项

  • 作者

    Stewart, Kenneth D.;

  • 作者单位

    Duke University.;

  • 授予单位 Duke University.;
  • 学科 Music.;Music education.
  • 学位 Ph.D.
  • 年度 2016
  • 页码 124 p.
  • 总页数 124
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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