首页>
外文学位
>'In this kingdom of passing fiction': Memory and imagination in David Malouf's 'An Imaginary Life' and Wilma Stockenstroem's 'The Expedition to the Baobab Tree'.
【24h】
'In this kingdom of passing fiction': Memory and imagination in David Malouf's 'An Imaginary Life' and Wilma Stockenstroem's 'The Expedition to the Baobab Tree'.
Memory and imagination play an important part in the novels of David Malouf and Wilma Stockenstrom and they do so in the form of an extreme consciousness of what language may or may not do. Their novels deal with the removal of highly symbolized protagonists from the containment of historical and cultural narratives that most societies, through ideological and ordering necessity, generate as self-explanation. Both protagonists walk out of 'history' through acts of remembering and re-creating, by playing questions of language and private identities, through the filter of memory and imagination.; Both Stockenstrom and Malouf are writers with a strong sense of marginality and exile; both of them are conscious of the parts they have to play within a script--historical and contemporary--of empire and colony. But they are also writers carrying a full consciousness of the uncertainties of language in the postmodern world, in which language has become destabilized and the project of modernism--to reconcile selves, words and the world--rejected.; Critical commentary of Seamus Heaney, Trinh T. Minh-ha, and Witold Gombrowicz are brought to bear on these two writers and the text of this thesis.
展开▼
机译:记忆和想象力在大卫·玛洛夫(David Malouf)和威尔玛·斯托森斯特伦(Wilma Stockenstrom)的小说中起着重要的作用,它们以对某种语言可能会或可能不会做什么的极端意识来表现。他们的小说涉及将高度象征性的主角从历史和文化叙事的控制中移除,大多数社会通过意识形态和秩序的必然性将其作为自我解释而产生。两位主人公都通过记忆和想象力的过滤,玩耍语言和私人身份的问题,通过记忆和重新创造的行为走出了“历史”。 Stockenstrom和Malouf都是具有强烈的边缘化和流放意识的作家。他们俩都意识到他们必须在帝国和殖民地的历史和当代脚本中扮演的角色。但是他们也是充分意识到后现代世界中语言不确定性的作家,在这种语言中,语言变得不稳定,现代主义计划-调和自我,语言和世界-被拒绝了。西缪斯·希尼(Seamus Heaney),Trinh T. Minh-ha和威托尔德·冈布罗维兹(Witold Gombrowicz)的批评性评论对这两位作家和本文进行了论述。
展开▼